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NINE INCH NAILS

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Biography: 

Nine Inch Nails were the most popular industrial group ever and were largely responsible for bringing the music to a mass audience. It isn't really accurate to call NIN a group; the only official member is singer/producer/multi-instrumentalist Trent Reznor, who always remained solely responsible for NIN's musical direction (he was, however, supported in concert by a regular backing band). Unlike the vast majority of industrial artists, Reznor wrote melodic, traditionally structured songs where lyrics were a focal point. His pop instincts not only made the harsh electronic beats of industrial music easier to digest, but also put a human face on a style that usually tried to sound as mechanical as possible. While Ministry crossed over to heavy metal audiences, NIN built up a large alternative rock fan base right around the time of Nirvana's mainstream breakthrough. As a result, Reznor became a genuine star and his notoriously dark, brooding persona and provocateur instincts made him a Jim Morrison-esque sex symbol for the '90s. A long period of inactivity and writer's block followed, which gave virtually every alternative metal band of the late '90s a chance to rip off elements of NIN's sound. By the time Reznor's five-year hiatus finally ended, he was still a popular figure but his commercial momentum had slowed somewhat. 


Michael Trent Reznor was born May 17, 1965, in the small town of Mercer, PA; he went by his middle name to avoid confusion with his father, Michael. At age five, Reznor's parents divorced and he wound up being raised mostly by his maternal grandparents; even so, Reznor stated repeatedly that his childhood was mostly happy. He began playing the piano at age five, studying classical music, and later learned tenor sax and tuba in the school band; he also acted in musicals and became an avid Kiss fan. Reznor spent a year studying music and computers at Allegheny College, but dropped out after a year to pursue music full-time; he soon packed up and moved to Cleveland with high school friend Chris Vrenna. Around the same time, he was discovering new wave and assorted underground music; he was most fascinated with early industrial, since it offered an edgy, aggressive way to use electronic instruments. At age 19, he successfully auditioned to join an AOR band called the Innocent, which released one album, Livin' in the Streets (Reznor's picture does appear on the jacket). He quit the Innocent after just three months and subsequently gigged with local bands; he also worked in a keyboard store and as a janitor in the local Right Track recording studio. Eventually, he became a studio engineer, teaching himself various computer applications and working on his own material during off hours. In 1987, Reznor appeared in the Michael J. Fox/Joan Jett film Light of Day, where he played keyboards with a trio dubbed the Problems during a bar scene. 


As Nine Inch NailsReznor began recording his own Ministry- and Skinny Puppy-influenced compositions in 1988, playing all the instruments himself. At first, he simply hoped to release a 12" single on a small European label, but when he sent demo tapes to around ten American labels, nearly every one offered him a deal. He wound up signing with TVT, which released NIN's debut album, Pretty Hate Machine, in 1989 (after having rejected an initial effort called Industrial Nation). Reznor quickly assembled a backing band and toured with Skinny Puppy for a short time, but soon tired of playing for strictly industrial artists. With a tighter outfit featuring Chris Vrenna on drums and Richard Patrick on guitar (plus several revolving-door keyboardists), he consciously chose to open for alt-rock acts (including, early on, the Jesus and Mary Chain and Peter Murphy), partly for the challenge of winning over fans who might not have liked industrial music. The strategy helped expand Nine Inch Nails' fan base substantially; the single "Down in It" got some airplay in dance clubs, reaching Billboard's dance and modern rock charts, and MTV later picked up on the video for the more rock-oriented "Head Like a Hole." In 1991, after settling on keyboardist James Woolley, Nine Inch Nails became part of the inaugural Lollapalooza tour, which expanded their fan base by leaps and bounds. Pretty Hate Machine's momentum kept building slowly, and although it never climbed higher than number 75, it spent over two years on the album charts and eventually sold over a million copies -- one of the first indie-label rock albums to do so.  

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TVT had a massive hit on their hands, and to ensure that Reznor would produce another one, they attempted to take control of the follow-up's creative direction. Enraged by the outside meddling, Reznor tried to secure a release from his contract, leading to a vicious court battle. His only recording outlets were side projects; in 1990, he co-wrote and sang on "Suck," a track on Pigface's debut album, Gub, and also sang on the Al Jourgensen-led 1000 Homo DJs cover of Black Sabbath's "Supernaut." (TVT ordered Reznor's vocals removed from the track, but Jourgensen actually just altered them slightly and said he'd re-recorded it.) Eventually, he was able to sign with Interscope, which helped him set up his own label, the Cleveland-based Nothing imprint. Reznor had been recording new material on the sly, and in 1992 Nothing released the EP Broken as well as a concurrent remix disc titled Fixed. Broken featured more (and heavier) guitars than Pretty Hate Machine, partly in response to NIN's live sound and partly as a sonic evocation of Reznor's boiling frustration in the wake of the legal wars; it also featured two bonus cuts, a version of "Suck" and the Adam Ant cover "(You're So) Physical," a nod to Reznor's new wave roots. Despite many reviews characterizing the EP as a harrowing, difficult listen, Broken -- supported by NIN's now-considerable fan base -- debuted in the Top Ten and the first single/video, "Wish," won a Grammy for Best Heavy Metal Performance. Reznor enhanced his reputation as a provocateur with a widely banned clip for "Happiness in Slavery," which depicted S&M performance artist Bob Flanagan being torn apart by a machine; there was also a long-form clip for Broken that was never released commercially due to its graphic content (a torture victim is dismembered while viewing NIN videos). 

Reznor moved to Los Angeles to craft the second full-length NIN album, assembling a studio in the house where actress Sharon Tate was murdered by Charles Manson's associates. The Downward Spiral was a highly ambitious work, a concept album indebted to progressive rock that featured the most detailed, layered studio craft of any NIN release yet. Hugely anticipated, the album debuted at number two and became one of the bleakest multi-platinum albums ever. Richard Patrick had departed the touring band to form Filter, and Reznor revamped the group with drummer Vrenna, keyboardist Woolley, guitarist Robin Finck, and bassist Danny Lohner. NIN caused a sensation at that summer's 25th-anniversary Woodstock concert, performing a ferocious set after horsing around and covering themselves in mud just before hitting the stage. Meanwhile, MTV had put an edited version of the video for "Closer" in heavy rotation and NIN scored one of the year's unlikeliest hits: a song whose chorus began "I want to f*ck you like an animal," which helped make Reznor one of alternative rock's biggest sex symbols. The subdued ballad "Hurt" gained some further airplay, even though it lacked the titillating shock value of "Closer." Later in the year, Reznor assembled the soundtrack of Oliver Stone's controversial Natural Born Killers, editing the songs together to create an innovative collage; he also guested on "Past the Mission," a track on Tori Amos' second album, Under the Pink. In 1995, with new keyboardist Charlie Clouser, Nine Inch Nails hit the road with David Bowie, whose late-'70s albums (along with Pink Floyd) had been a major influence on The Downward Spiral. He also contributed a cover of Joy Division's "Dead Souls" to the soundtrack of The Crow and issued the remix album Further Down the Spiral, which nearly reached the Top 20 (a testament to his popularity). 

Using money from The Downward Spiral, Reznor built a state-of-the-art studio in New Orleans in a building that had once been a funeral home. While pondering his next move in the wake of his sudden stardom, he produced Nothing signee Marilyn Manson's second album, Antichrist Superstar, which did indeed make him a superstar. In 1997, longtime friend Vrenna had a falling out with Reznor and eventually was replaced by Jerome Dillon; Reznor's maternal grandmother also passed away that year and his friendship with Manson soon deteriorated. Even so, he produced another movie soundtrack, for David Lynch's Lost Highway, and contributed the new single "The Perfect Drug," which flitted unpredictably between several different rhythm tracks. Though "The Perfect Drug" kept him in the public eye for a time, Reznor was still unsure what kind of statement would be an appropriate follow-up to The Downward Spiral; that uncertainty resulted in a severe case of writer's block. In the meantime, NIN were proving vastly influential on a new crop of bands; major labels signed up industrial metal outfits like Filter and Stabbing Westward, and an assortment of alternative metal bands started grafting industrial production flourishes onto their music; Guns N' Roses lead singer Axl Rose even fired the rest of his band and holed up in a studio to pursue a more NIN-influenced direction. 


Nine Inch Nails finally returned in 1999 with the double-CD opus The Fragile. It debuted at number one with massive first-week sales, but slipped down the charts rather quickly afterward, perhaps because the musical climate had changed a great deal over the past five years. The remix album Things Falling Apart followed a year later, as did an extensive world tour. An album of live performances culled from the tour, And All That Could Have Been, was released in early 2002. Reznor was largely quiet during the next three years, finally re-emerging in 2005 with another chart-topper, With Teeth. Touring continued into 2006, where NIN spent the spring and summer on the road with various support acts including Saul Williams, Bauhaus, TV on the Radio, and Peaches. The EP Every Day Is Exactly the Same appeared in April 2006; it contained the title track and five various remixes (all originally from With Teeth). Touring America followed, and then late in the year Reznor was back in the studio working on the next album. In early 2007 the band resumed touring, this time in Europe. A viral marketing campaign began when USB key chains that contained new songs were found in the restrooms during NIN shows. These key chains also contained a noisy audio file that, when run through a spectrum analyzer, drew an audio wave in the shape of a phone number. The phone numbers were answering machines filled with conspiracy theories, there were fake websites strewn across the net, and busy Internet forums and wikis appeared to theorize about and document it all. The big payoff appeared in April when the dystopian concept album Year Zero arrived. A year later Reznor began experimenting with different methods of distribution when he made the Saul Williams album The Inevitable Rise and Liberation of Niggy Tardust available as a digital download.Reznor had helped produce the album and had planned to release it on his Nothing imprint but as his distaste for the major label system increased, so did the possibilities of digital distribution. He completely broke free from the system when he left Interscope and released the entirely instrumental album Ghosts I-IV on his own in 2008, making it available in both digital download and CD formats. The album's release also marked the end of his Interscope distributed Nothing label and the beginning of a new imprint, Null Corporation.

Discography:

Pretty Hate Machine, TVT, 1989.
Broken, EP, Nothing/TVT/lnterscope, 1992.
Fixed, EP, Nothing/TVT/lnterscope, 1992.
The Downward Spiral, Nothing/lnterscope, 1994.
Further Down the Spiral, Nothing/lnterscope, 1995.
The Fragile, Nothing/lnterscope, 1999.

 

Source: Steve Huey, All Music; eNotes

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com

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ALANIS MORISSETTE

Discography:

Alanis, MCA, 1991.

 

Now Is the Time, MCA, 1992.

 

ALANIS MORISETTE JAGGED LITTLE PILL
ALANIS MORISETTE SMILING
ALANIS MORISETTE HAIR
ALANIS MORISETTE LEATHER JACKET
Biography: 

Alanis Morissette's 1995 release Jagged Little Pill sold over ten million copies and won her four Grammy Awards. Its slew of hit singles, kicked off with the vituperative "You Oughta Know," made Morissette an alternative music star overnight. Yet the singersongwriter also endured some flak for her success, especially after word leaked out that she had suffered a rather unsuccessful earlier incarnation as a big-haired, drum-machine-backed teen singer in Canada. Nevertheless, the candid songs of Jagged Little Pill, penned by Morissette as she matured out of her teens, spoke to a broad cross-section of adolescents and adults alike.

Morissette was born June 1, 1974, in Ottawa, Ontario, one of a set of twins born to Alan and Georgia Morissette. Alanis and he twin Wade joined older brother Chad, and for a time the family lived in Europe when the elder Morissettes—both teachers—took jobs at a military base school. As a young teen in Ottawa again, Morissette attended Catholic schools and was straight-A student. A self described overachiever, she began piano at age of six and wrote her first song at age nine, and her talents eventually landed her on television. Her biggest success came with a recurring role on You Can't Do That on Television, a kids' show on the Nickelodeon cable channel in the mid-1980s.

With the earnings from the television show, Morissette produced her first single on her own label, Lamor Records. The 1987 release, "Fate Stay with Me," was recorded with the musical expertise from former members of the Stampeders, Canadian rockers who had a 1971 hit with "Sweet City Woman. "As a single written by a thirteen-year-old, "Fate Stay with Me" was no monster hit but did attract the attention of MCA Canada, who signed Morissette. Her first fulllength record, Alanis,debuted in 1991, followed by Now Is the Time a year later.
But it was not yet Morissette's time at all. Her career enjoyed some minor successes, but she remained pigeonholed; MCA even had her touring with the always-maligned Vanilla Ice. She did get a chance to hone her songwriting skills over two albums, however, and later, after her major success with Jagged Little Pill, refused to be embarrassed by a persona whom unkind journalists compared with Debbie Gibson or Tiffany. "I wasn't writing to communicate anything, and I was definitely not ready on the self-esteem level to indulge myself and all my personal turmoil," she told J. D. Considine of the Chicago Sun-Times.
 

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Jagged Little Pill would bare some of the personal dramas that engulfed Morissette in typical coming-of-age passages, but she has spoken about certain moments in her late teens as definite turning points. In one incident, she had a breakdown in front of her parents—partly as a result of the pressures she felt as a combination teen star/over achiever/perfect daughter. Discovering the 1991 Tori Amos LP Little Earthquakes helped inspire Morissette to begin writing from the heart. Coincidentally, Amos had also suffered an off-target launch as an alterna-pop performer under the moniker Y Kant Tori Read, and later succeeded by writing straightforward, deeply personal songs.
 
 
Morissette came to see the necessity of leaving Canada for the more inspiring climes of Los Angeles. Like Axl Rose stepping off the bus in the video for "Welcome to the Jungle," she underwent the usual big-city trials during her first weeks. She was held up at gun point. She was broke. She tried to find someone to work with, but no one seemed to click. Finally she approached Glen Ballard, an unlikely hero. Ballard was a producer with a home studio who had crafted tunes for Wilson Phillips and Paula Abdul. But he didn't try to mold her into something salable: " I felt that he wasn't judging me, and I felt that he had enough security within himself to give the ball to a 20-year-old and let her go with it," she told J. D. Considine of the Chicago Sun-Times. Within a period of two weeks, they recorded most of what would become Jagged Little Pill, and shopped their demo tape around. Executives at Maverick Records heard it and signed Morissette in 1994. Their ultimate boss, however, is none other than Madonna, who became CEO of the subsidiary as part of her lavish contract with Warner Brothers. Morissette was just twenty.
 
 
 
 
For The Record
 
Born Alanis Nadine Morissette, June 1, 1974, in Ottawa, Ontario, Canada; daughter of Alan (a high school principal) and Georgia (a teacher) Morissette.
Worked as a child actor, mid-1980s; released first single, "Fate Stay with Me," on Lamor Records, 1987; signed with MCA Canada; released first full-length LP, Alanis, in 1991; signed with Maverick Records, 1994; released Jagged Little Pill, 1995.
 
Awards: Juno Award, Most Promising Female Artist, 1992, for Alanis; Jagged Little Pill earned Grammy Awards in 1996 for Album of the Year, Best Rock Album, Best Rock Song (for "You Oughta Know"), and Best Female Rock Vocal Performance (for "You Oughta Know").
 
Addresses: Publicist—MSO, 14724 Ventura Blvd., Suite 410, Sherman Oaks, CA 91403.
 
 
Morissette's newly out-of-control life included extensive touring in support of Jagged Little Pillthroughout much of 1995 and 1996. In early 1996 the record won four Grammy Awards, including Album of the Year, and Jagged Little Pill would eventually sell a staggering ten million copies. Nor surprisingly—given the fervor of her fan base—Morissette has described singing on stage as similar to a religious experience: "When I'm onstage, it's very spiritual. I feel very close to God when I'm up there," she told Rolling Stone's David Wild. Another journalist likened Morissette's stage show to "kind of like waiting for someone to have a breakdown, " wrote Jae-Ha Kim in theChicago Sun-Times. "Flailing her arms and moving about in a pigeon-toed stance, she appears most comfortable when her face is covered by her mane of hair."
Still, fame did have its pressures. She began avoiding interviews with members of the Canadian media, granting access only to American journalists. Fans eagerly awaited a follow-up to Jagged Little Pill, but, after finishing a heavy year of touring in 1996, Morissette was reportedly staying close to home, and eschewing all Interviews and appearances. It seems unlikely, however, that the outspoken Morissette would retire permanently from public life, and a return to acting was one possibility. "I love doing things that scare me," she told Beam In the Minneapolis-St. Paul Star Tribune interview. "It makes me feel alive and challenged. It makes me feel like I'm growing. That comfort-zone area, I hate it."
 
 
This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com
 
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GUNS N ROSES

Guns 'n' Roses Group Promo
Guns 'n' Roses Album Cover
Guns 'n' Roses Onstage
Guns 'n' Roses Group Shot
Biography: 

US heavy-rock band, Guns N’ Roses, formed in the mid-80s. Axl Rose (originally named William Bailey, but changed his name to an anagram of ‘Oral Sex’) and Izzy Stradlin met in 1984.

They formed a band with Tracii Guns (guitar) and Rob Gardner (drums) and were named in turn, Rose, Hollywood Rose and L.A. Guns. Soon afterwards, Guns and Gardener left, replaced by drummer Steven Adler (drums) and guitarist Slash. With bassist, Duff McKagan, the band was renamed Guns N’ Roses and in 1986, the band signed to Geffen Records. During 1987 they toured extensively. In 1988, Rose was kicked out but was reinstated within three days. ‘Appetite For Destruction’ sold 20 million copies worldwide and reached US number 1 within a year. ‘Welcome To The Jungle’ was used on the soundtrack of the Clint Eastwood movie ‘Dead Pool’. It was the album that propelled them to stardom.

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The band toured regularly, but also controversially in the US and Europe and in 1989, ‘G N’ R Lies’ became a transatlantic hit. However, Guns N’ Roses’ career was littered with incidents involving drugs, drunkenness and public-disturbance offences. In 1990, Adler was replaced by Matt Sorum, followed by Dizzy Reed for a 1991 world tour. The band then released ‘Use Your Illusions I and II’ – reaching US numbers 1 and 2, preceded by a cover version of Bob Dylan’s Knockin’ On Heaven’s Door’. Slash’s growing reputation led him to make guest appearances for Dylan and Michael Jackson.

At the end of 1993, the covers album ‘Spaghetti Incident’ was issued. Duff released his debut solo album and Stradlin was replaced by a number of guitarists including Zakk Wylde (ex-Ozzy Osbourne), who fell out irreconcilably with Axl before recording a note. Slash confirmed Rose’s departure in November 1996, reversed in February 1997 when Rose allegedly purchased the right to the Guns N’ Roses name.

Backed by new personnel, Axl embarked on ‘The Chinese Democracy’ tour and finished the bands long awaited new album. On November 13, 2008, ten days before the official release of the ‘Chinese Democracy’ album, the ‘Chinese Democracy’ single topped the general iTunes Music Store chart in Greece, Norway, Portugal, Spain, Sweden and Finland. In addition to being the No. 1 song and No. 1 rock song in these countries, it became the No. 1 rock song on iTunes in the U.S., Canada, France and the U.K.

Mathew Jones

HAVE A LOOK AT THIS GREAT GUNS N ROSES MERCHANDISE HERE

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