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TAMMI TERRELL

Tammi Terrell
Tammi Terrell & Marvin Gaye
Tammi Terrell, Sam Cooke & Betty Harris
Tammi Terrell & Marvin Gaye Head Shot
Tammi Terrell On Stage
Thomasina Montgomery
Biography: 

Singer Tammi Terrell joined forces with the immortal Marvin Gaye to create some of the greatest love songs ever to emerge from the Motown hit factory; sadly, their series of classic duets - "Ain't No Mountain High Enough," "Ain't Nothing Like the Real Thing," and "You're All I Need to Get By" among them - came to an abrupt and tragic halt with her premature death.

Terrell was born Thomasina Montgomery in Philadelphia on April 29, 1945; after winning a number of local talent contests, by the age of 13 she was regularly opening club dates for acts including Gary “U.S.” Bonds and Patti LaBelle & the Bluebelles.

In 1961, she was discovered by producer Luther Dixon and signed to Scepter. Credited as Tammy Montgomery, she made her debut with the single "If You See Bill," followed early the next year by "The Voice of Experience." After James Brown caught Terrell's live act, she was signed to his Try Me label, issuing "I Cried" in 1963 and also touring with his live revue.

"If I Would Marry You" appeared on Checker a year later, during which time she also studied pre-med at the University of Pennsylvania. While performing with Jerry Butler in Detroit in 1965, Terrell was spotted by Motown chief Berry Gordy, Jr., making her label debut with "I Can't Believe You Love Me."

When subsequent outings "Come On and See Me," "This Old Heart of Mine (Is Weak for You)," and "Hold Me Oh My Darling" earned little notice, she was paired with Gaye, who previously recorded duets with Mary Wells and Kim Weston. His chemistry with Terrell was immediate and in 1967, they entered the pop Top 20 with the magnificent "Ain't No Mountain High Enough," the first in a series of lush, sensual hits authored by the husband-and-wife team of Nickolas Ashford and Valerie Simpson.

"Your Precious Love" cracked the Top Five a few months later and in 1968, the twosome topped the R&B charts with both "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By." The success of these later hits was nevertheless tempered by Terrell's off-stage travails - after an extended period of severe migraine headaches, in 1967 she collapsed in Gaye's arms while in concert at Virginia's Hampton-Sydney College, and was diagnosed with a brain tumour.

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Although the tumour forced Terrell to retire from performing live, she continued to record with Gaye even as her health deteriorated; however, as time went on, Valerie Simpson herself assumed un-credited vocal duties on a number of hits, including 1969's "Good Lovin' Ain't Easy to Come By" and "What You Gave Me." (For several other tracks, Gaye's vocals were added to pre-existing Terrell solo recordings.)

In all, Terrell endured eight operations, ultimately resulting in loss of memory and partial paralysis; she finally died in Philadelphia on March 16, 1970. Gaye was so devastated by her decline and eventual passing that he retired from the road for three years; her loss also contributed greatly to the spiritual turmoil which informed his 1971 masterpiece What's Going On.

At the time of her death, Tammi Terrell was just 24 years old.

Albums:

The Early Show, 1967.

Irresistible, 1969.

The Essential Collection, 2001.

Come On and See Me: The Complete Solo Collection, 2010.

~ Jason Ankeny, All Music Guide

Source: http://www.artistdirect.com/

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com

Why Not Also Check Out:

Aretha Franklin

Booker T & The MGs

Edwin Starr

Marvin Gaye

Ray Charles

Smokey Robinson & The Miracles

The Crystals

The Supremes

THE SUPREMES

The Supreme trio
The Supreme black and white
The Supreme mic
The Supreme studio
The Supreme promo
Biography: 

The Supremes are arguably the most iconic girl group of all time, paving the way for African American artists both male and female to find mainstream chart success in the United States. The Supremes have become symbolic of the diva, strong black female mentality typified by more modern groups such as Destiny’s Child, En vogue and TLC. With the help of one of Americas most infamous recorded music labels, Tamla Motown, The Supreme seemed destined and armed for success, although for a while success seemed like a distant dream.

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The Supremes began as the Primettes, in 1958, Detroit, Michigan, by Florence Ballard, a Junior High school student at the time. The band were originally a four piece who embraced the local talent shows, before long they auditioned for Motown owner Berry Gordy who insisted the girls come back after graduating from high school. Un-phased the girls continued to hang around the Motown studio; Hitsville USA, in the hope of recording, the group provided handclaps and backing vocals on many songs. In 1962 the group signed to Motown Records, with group members; Diana Ross, Florence Ballard and Mary Wilson. Initially the band took some time to get going; it wasn’t until they teamed up with the song writing dream team of Brian Holland, Lamont Dozier and Edward Holland, also known as, Holland-Dozier-Holland that the hits started to pour in.

By 1964 the band had 4 consecutive No.1’s with ‘Baby Love’ ‘Come see about me’ and ‘back in my arms again’. The Supremes would continue to have hits through out the 60’s. By 1967, the group began to fall apart after tensions grew between Diana Ross and Florence Ballard, Ballard began to go off the rails, drinking and turning up late for auditions on a regular basis, Ballard left the group in 1968. The group had been re-named Diana Ross and the Supremes due to Ross’s increasing popularity. By 1969 Diana Ross left the group, to pursue a solo career. The Supremes continued to record with a new line–up, with moderate success.

The strength of The Supremes impact can be seen in the movie 'Sparkle And Dream Girls', the tony award winning musical, which was later adapted into a film (both based on The Supremes story), there image has been imitated many times by artists such as Solange Knowles, Amy Winehouse and Duffy to name a few. The Supremes legacy will be as one of the premier girl groups of all time, that were the female faces of Tamla Motown and pop music worldwide.

Group formed c. 1960 in Detroit as vocal quartet the Primettes; original members included Florence Ballard (born June 30, 1943, in Detroit; died February 22, 1976, in Detroit), Diana Ross (born March 26, 1944, in Detroit), Mary Wilson (born March 4, one source says March 6,1944, in Detroit), and Barbara Martin, who appeared as fourth member on the Primettes' first three singles.

Ballard was replaced by Cindy Birdsong (born December 15, 1939, in Camden, NJ) in 1967. Jean Terrell (born November 26, c. 1944, in Texas) replaced Ross in 1970; was replaced by Scherrie Payne (born November 14, 1944) in 1973; other incarnations of The Supremes included Lynda Laurence, Susaye Green, and Karen Jackson; group disbanded, 1977.
 
Awards: The Supremes—Ross, Wilson, and Ballard—were inducted into the Rock and Roll Hall of Fame, 1988.
 

Albums; as the Supremes: 

Meet the Supremes, Motown, 1963.
 
Where Did Our Love Go, Motown, 1964.
 
A Bit of Liverpool, Motown, 1964.
 
Supremes Sing Country, Western and Pop, Motown, 1965.
 
We Remember Sam Cooke, Motown, 1965.
 
More Hits by the Supremes, Motown, 1965.
 
Merry Christmas, Motown, 1965.
 
Supremes at the Copa, Motown, 1965.
 
I Hear a Symphony, Motown, 1966.
 
Supremes a Go Go, Motown, 1966.
 
Supremes Sing Holland, Dozier, Holland, Motown, 1967.
 
Albums; as Diana Ross and the Supremes:
 
Supremes Sing Rodgers and Hart, Motown, 1967.
 
Diana Ross and the Supremes Greatest Hits, Motown, 1967.
 
Reflections, Motown, 1968.
 
Diana Ross and the Supremes Sing and Perform "Funny Girl", Motown, 1968.
 
Diana Ross and the Supremes "Live" at London's Talk of Town, Motown, 1968.
 
Diana Ross and the Supremes Join the Temptations, Motown, 1968.
 
Love Child, Motown, 1968.
 
(With the Temptations) TCB, Motown, 1968.
 
Let the Sunshine In, Motown, 1969.
 
(With the Temptations) Together, Motown, 1969.
 
Cream of the Crop, Motown, 1969.
 
(With the Temptations) On Broadway, Motown, 1969.
 
Diana Ross and the Supremes Greatest Hits, Volume 3, Motown, 1970.
 
Farewell, Motown, 1970.
 
Later albums; as the Supremes:
 
Right On, Motown, 1970.
 
(With the Four Tops) The Magnificent Seven, Motown, 1970.
 
New Ways but Love Stays, Motown, 1970.
 
(With the Four Tops) The Return of the Magnificent Seven, Motown, 1971.
 
Touch, Motown, 1971.
 
(With the Four Tops) Dynamite, Motown, 1971.
 
Floy Joy, Motown, 1972.
 
The Supremes, Motown, 1972.
 
Anthology, Motown, 1974.
 
The Supremes, Motown, 1975.
 
High Energy, Motown, 1976.
 
Mary, Scheme & Susaye, Motown, 1976.
 
At Their Best, Motown, 1978.


Sources: Segun Murray Ogunsheye; David Bianco

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com

Why Not Check Out:

Smokey Robinson & The Miracles

Martha & The Vandellas

The Crystals

Marvin Gaye - Lets Get It On Live

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