Black Sabbath
JUDAS PRIEST
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Judas Priest was one of the most influential heavy metal bands of the '70s, spearheading the New Wave of British Heavy Metal late in the decade. Decked out in leather and chains, the band fused the gothic doom of Black Sabbath with the riffs and speed of Led Zeppelin, as well as adding a vicious two-lead guitar attack; in doing so, they set the pace for much popular heavy metal from 1975 until 1985, as well as laying the groundwork for the speed and death metal of the '80s. Formed in Birmingham, England, in 1970, the group's core members were guitarist K.K. Downing and bassist Ian Hill. Joined by Alan Atkins and drummer John Ellis, the band played their first concert in 1971. Atkins' previous band was called Judas Priest, yet the members decided it was the best name for the new group. The band played numerous shows throughout 1971; during the year, Ellis was replaced by Alan Moore; by the end of the year, Chris Campbell replaced Moore. After a solid year of touring the U.K., Atkins and Campbell left the band in 1973 and were replaced by vocalist Rob Halford and drummer John Hinch. They continued touring, including a visit to Germany and the Netherlands in 1974; by the time the tour was completed, they had secured a record contract with Gull, an independent U.K. label. Before recording their debut album, Rocka Rolla, Judas Priest added guitarist Glenn Tipton. They released the record in September of 1974 to almost no attention. The following year, they gave a well-received performance at the Reading Festival and Hinch departed the band; he was replaced by Alan Moore.
Later that year, the group released Sad Wings of Destiny, which earned some positive reviews. However, the lack of sales was putting the band in a dire financial situation, which was remedied by an international contract with CBS Records. Sin After Sin (1977) was the first album released under that contract; it was recorded with Simon Phillips, who replaced Moore. The record received positive reviews and the band departed for their first American tour, with Les Binks on drums. When they returned to England, Judas Priest recorded 1978's Stained Class, the record that established them as an international force in metal. Along with 1979's Hell Bent for Leather (Killing Machine in the U.K.), Stained Class began the New Wave of British Heavy Metal movement. A significant number of bands adopted Priest's leather-clad image and hard, driving sound, making their music harder, faster, and louder. After releasing Hell Bent for Leather, the band recorded the live album Unleashed in the East (1979) in Japan; it became their first platinum album in America. Les Binks left the band in 1979; he was replaced by former Trapeze drummer Dave Holland. Their next album, 1980's British Steel, entered the British charts at number three, launched the hit singles "Breaking the Law" and "Living After Midnight," and was their second American platinum record; Point of Entry, released the following year, was nearly as successful.
At the beginning of the '80s, Judas Priest was a top concert attraction around the world, in addition to being a best-selling recording artist. Featuring the hit single "You've Got Another Thing Comin'," Screaming for Vengeance (1982) marked the height of their popularity, peaking at number 17 in America and selling over a million copies. Two years later, Defenders of the Faith nearly matched its predecessor's performance, yet metal tastes were beginning to change, as Metallica and other speed/thrash metal groups started to grow in popularity. That shift was evident on 1986's Turbo, where Judas Priest seemed out of touch with current trends; nevertheless, the record sold over a million copies in America on the basis of name recognition alone. However, 1987's Priest...Live! was their first album since Stained Class not to go gold. Ram It Down (1988) was a return to raw metal and returned the group to gold status. Dave Holland left after this record and was replaced by Scott Travis for 1990's Painkiller. Like Ram It Down, Painkiller didn't make an impact outside the band's diehard fans, yet the group was still a popular concert act.
In the early '90s, Rob Halford began his own thrash band, Fight, and soon left Judas Priest. In 1996, following a solo album by Glenn Tipton, the band rebounded with a new young singer, Tim "Ripper" Owens, (formerly a member of a Priest tribute band and of Winter's Bane). They spent the next year recording Jugulator amongst much self-perpetuated hype concerning Priest's return to their roots. The album debuted at number 82 on the Billboard album charts upon its release in late 1997. Halford had by then disbanded Fight following a decrease in interest and signed with Trent Reznor's Nothing label with a new project, Two. In the meantime, the remaining members of Judas Priest forged on with '98 Live Meltdown, a live set recorded during their inaugural tour with Ripper on the mic. Around the same time, a movie was readying production that was to be based on Ripper's rags-to-riches story of how he got to front his all-time favorite band. Although Priest was originally supposed to be involved with the film, they ultimately pulled out, but production went on anyway without the band's blessing (the movie, Rock Star, was eventually released in the summer of 2001, starring Mark Wahlberg in the lead role). Rob Halford in the meantime disbanded Two after just a single album, 1997's Voyeurs, and returned back to his metal roots with a quintet titled simply... Halford. The group issued their debut in 2000, Resurrection, following it with a worldwide tour that saw the new group open up Iron Maiden's Brave New World U.S. tour, and issuing a live set one year later (which included a healthy helping of Priest classics) -- Live Insurrection. In 2001 the Ripper-led Priest issued a new album, Demolition, and Priest's entire back catalog for Columbia was reissued with remastered sound and bonus tracks. In 2003 the band--including Halford--collaborated on the liner notes and song selections for their mammoth career-encompassing box Metalogy, a collaboration that brought Halford back into the fold. Owens split from the group amicably in 2003, allowing the newly reunited heavy metal legends to plan their global live concert tour in 2004, with their sixteenth studio album, Angel of Retribution, to be released the following year.
Source: Stephen Thomas Erlewine & Greg Prato, All Music Guide
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NINE INCH NAILS
Nine Inch Nails were the most popular industrial group ever and were largely responsible for bringing the music to a mass audience. It isn't really accurate to call NIN a group; the only official member is singer/producer/multi-instrumentalist Trent Reznor, who always remained solely responsible for NIN's musical direction (he was, however, supported in concert by a regular backing band). Unlike the vast majority of industrial artists, Reznor wrote melodic, traditionally structured songs where lyrics were a focal point. His pop instincts not only made the harsh electronic beats of industrial music easier to digest, but also put a human face on a style that usually tried to sound as mechanical as possible. While Ministry crossed over to heavy metal audiences, NIN built up a large alternative rock fan base right around the time of Nirvana's mainstream breakthrough. As a result, Reznor became a genuine star and his notoriously dark, brooding persona and provocateur instincts made him a Jim Morrison-esque sex symbol for the '90s. A long period of inactivity and writer's block followed, which gave virtually every alternative metal band of the late '90s a chance to rip off elements of NIN's sound. By the time Reznor's five-year hiatus finally ended, he was still a popular figure but his commercial momentum had slowed somewhat.
Michael Trent Reznor was born May 17, 1965, in the small town of Mercer, PA; he went by his middle name to avoid confusion with his father, Michael. At age five, Reznor's parents divorced and he wound up being raised mostly by his maternal grandparents; even so, Reznor stated repeatedly that his childhood was mostly happy. He began playing the piano at age five, studying classical music, and later learned tenor sax and tuba in the school band; he also acted in musicals and became an avid Kiss fan. Reznor spent a year studying music and computers at Allegheny College, but dropped out after a year to pursue music full-time; he soon packed up and moved to Cleveland with high school friend Chris Vrenna. Around the same time, he was discovering new wave and assorted underground music; he was most fascinated with early industrial, since it offered an edgy, aggressive way to use electronic instruments. At age 19, he successfully auditioned to join an AOR band called the Innocent, which released one album, Livin' in the Streets (Reznor's picture does appear on the jacket). He quit the Innocent after just three months and subsequently gigged with local bands; he also worked in a keyboard store and as a janitor in the local Right Track recording studio. Eventually, he became a studio engineer, teaching himself various computer applications and working on his own material during off hours. In 1987, Reznor appeared in the Michael J. Fox/Joan Jett film Light of Day, where he played keyboards with a trio dubbed the Problems during a bar scene.
As Nine Inch Nails, Reznor began recording his own Ministry- and Skinny Puppy-influenced compositions in 1988, playing all the instruments himself. At first, he simply hoped to release a 12" single on a small European label, but when he sent demo tapes to around ten American labels, nearly every one offered him a deal. He wound up signing with TVT, which released NIN's debut album, Pretty Hate Machine, in 1989 (after having rejected an initial effort called Industrial Nation). Reznor quickly assembled a backing band and toured with Skinny Puppy for a short time, but soon tired of playing for strictly industrial artists. With a tighter outfit featuring Chris Vrenna on drums and Richard Patrick on guitar (plus several revolving-door keyboardists), he consciously chose to open for alt-rock acts (including, early on, the Jesus and Mary Chain and Peter Murphy), partly for the challenge of winning over fans who might not have liked industrial music. The strategy helped expand Nine Inch Nails' fan base substantially; the single "Down in It" got some airplay in dance clubs, reaching Billboard's dance and modern rock charts, and MTV later picked up on the video for the more rock-oriented "Head Like a Hole." In 1991, after settling on keyboardist James Woolley, Nine Inch Nails became part of the inaugural Lollapalooza tour, which expanded their fan base by leaps and bounds. Pretty Hate Machine's momentum kept building slowly, and although it never climbed higher than number 75, it spent over two years on the album charts and eventually sold over a million copies -- one of the first indie-label rock albums to do so.
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TVT had a massive hit on their hands, and to ensure that Reznor would produce another one, they attempted to take control of the follow-up's creative direction. Enraged by the outside meddling, Reznor tried to secure a release from his contract, leading to a vicious court battle. His only recording outlets were side projects; in 1990, he co-wrote and sang on "Suck," a track on Pigface's debut album, Gub, and also sang on the Al Jourgensen-led 1000 Homo DJs cover of Black Sabbath's "Supernaut." (TVT ordered Reznor's vocals removed from the track, but Jourgensen actually just altered them slightly and said he'd re-recorded it.) Eventually, he was able to sign with Interscope, which helped him set up his own label, the Cleveland-based Nothing imprint. Reznor had been recording new material on the sly, and in 1992 Nothing released the EP Broken as well as a concurrent remix disc titled Fixed. Broken featured more (and heavier) guitars than Pretty Hate Machine, partly in response to NIN's live sound and partly as a sonic evocation of Reznor's boiling frustration in the wake of the legal wars; it also featured two bonus cuts, a version of "Suck" and the Adam Ant cover "(You're So) Physical," a nod to Reznor's new wave roots. Despite many reviews characterizing the EP as a harrowing, difficult listen, Broken -- supported by NIN's now-considerable fan base -- debuted in the Top Ten and the first single/video, "Wish," won a Grammy for Best Heavy Metal Performance. Reznor enhanced his reputation as a provocateur with a widely banned clip for "Happiness in Slavery," which depicted S&M performance artist Bob Flanagan being torn apart by a machine; there was also a long-form clip for Broken that was never released commercially due to its graphic content (a torture victim is dismembered while viewing NIN videos).
Reznor moved to Los Angeles to craft the second full-length NIN album, assembling a studio in the house where actress Sharon Tate was murdered by Charles Manson's associates. The Downward Spiral was a highly ambitious work, a concept album indebted to progressive rock that featured the most detailed, layered studio craft of any NIN release yet. Hugely anticipated, the album debuted at number two and became one of the bleakest multi-platinum albums ever. Richard Patrick had departed the touring band to form Filter, and Reznor revamped the group with drummer Vrenna, keyboardist Woolley, guitarist Robin Finck, and bassist Danny Lohner. NIN caused a sensation at that summer's 25th-anniversary Woodstock concert, performing a ferocious set after horsing around and covering themselves in mud just before hitting the stage. Meanwhile, MTV had put an edited version of the video for "Closer" in heavy rotation and NIN scored one of the year's unlikeliest hits: a song whose chorus began "I want to f*ck you like an animal," which helped make Reznor one of alternative rock's biggest sex symbols. The subdued ballad "Hurt" gained some further airplay, even though it lacked the titillating shock value of "Closer." Later in the year, Reznor assembled the soundtrack of Oliver Stone's controversial Natural Born Killers, editing the songs together to create an innovative collage; he also guested on "Past the Mission," a track on Tori Amos' second album, Under the Pink. In 1995, with new keyboardist Charlie Clouser, Nine Inch Nails hit the road with David Bowie, whose late-'70s albums (along with Pink Floyd) had been a major influence on The Downward Spiral. He also contributed a cover of Joy Division's "Dead Souls" to the soundtrack of The Crow and issued the remix album Further Down the Spiral, which nearly reached the Top 20 (a testament to his popularity).
Using money from The Downward Spiral, Reznor built a state-of-the-art studio in New Orleans in a building that had once been a funeral home. While pondering his next move in the wake of his sudden stardom, he produced Nothing signee Marilyn Manson's second album, Antichrist Superstar, which did indeed make him a superstar. In 1997, longtime friend Vrenna had a falling out with Reznor and eventually was replaced by Jerome Dillon; Reznor's maternal grandmother also passed away that year and his friendship with Manson soon deteriorated. Even so, he produced another movie soundtrack, for David Lynch's Lost Highway, and contributed the new single "The Perfect Drug," which flitted unpredictably between several different rhythm tracks. Though "The Perfect Drug" kept him in the public eye for a time, Reznor was still unsure what kind of statement would be an appropriate follow-up to The Downward Spiral; that uncertainty resulted in a severe case of writer's block. In the meantime, NIN were proving vastly influential on a new crop of bands; major labels signed up industrial metal outfits like Filter and Stabbing Westward, and an assortment of alternative metal bands started grafting industrial production flourishes onto their music; Guns N' Roses lead singer Axl Rose even fired the rest of his band and holed up in a studio to pursue a more NIN-influenced direction.
Nine Inch Nails finally returned in 1999 with the double-CD opus The Fragile. It debuted at number one with massive first-week sales, but slipped down the charts rather quickly afterward, perhaps because the musical climate had changed a great deal over the past five years. The remix album Things Falling Apart followed a year later, as did an extensive world tour. An album of live performances culled from the tour, And All That Could Have Been, was released in early 2002. Reznor was largely quiet during the next three years, finally re-emerging in 2005 with another chart-topper, With Teeth. Touring continued into 2006, where NIN spent the spring and summer on the road with various support acts including Saul Williams, Bauhaus, TV on the Radio, and Peaches. The EP Every Day Is Exactly the Same appeared in April 2006; it contained the title track and five various remixes (all originally from With Teeth). Touring America followed, and then late in the year Reznor was back in the studio working on the next album. In early 2007 the band resumed touring, this time in Europe. A viral marketing campaign began when USB key chains that contained new songs were found in the restrooms during NIN shows. These key chains also contained a noisy audio file that, when run through a spectrum analyzer, drew an audio wave in the shape of a phone number. The phone numbers were answering machines filled with conspiracy theories, there were fake websites strewn across the net, and busy Internet forums and wikis appeared to theorize about and document it all. The big payoff appeared in April when the dystopian concept album Year Zero arrived. A year later Reznor began experimenting with different methods of distribution when he made the Saul Williams album The Inevitable Rise and Liberation of Niggy Tardust available as a digital download.Reznor had helped produce the album and had planned to release it on his Nothing imprint but as his distaste for the major label system increased, so did the possibilities of digital distribution. He completely broke free from the system when he left Interscope and released the entirely instrumental album Ghosts I-IV on his own in 2008, making it available in both digital download and CD formats. The album's release also marked the end of his Interscope distributed Nothing label and the beginning of a new imprint, Null Corporation.
Discography:
Source: Steve Huey, All Music; eNotes
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EDGAR BROUGHTON BAND
The Edgar Broughton Band emerged out of the Blues based Underground Progressive Rock tradition in the late sixties and has been active virtually without break since 1968. Their first five albums are widely considered as seminal:
Wasa Wasa (1969)
Sing Brother Sing (1970)
Edgar Broughton Band (1971)
Inside Out (1972)
Oora (1973)
The original line-up had the creative driving force Edgar Broughton as lead singer and guitarist. Brother Steve Broughton played the drums and Arthur Grant was on the bass. Victor Unitt was part of the original line-up but left before the recording of the first two albums as the band moved away from Blues to Hard Rock. While The Edgar Broughton Band gained fame as one of the leading power trios of its day, Unitt did in fact return for the next two outings.
The band initially gained fame as perhaps the greatest live act of the era that saw them in their pomp, the late sixties and early to mid seventies. The band’s members moved from their native Warwick to Notting Hill in west London in 1969 and their peers tell two stories from those days with great affection. The Broughtons’ mother was the most famous van-driver of the era and the band continued the motoring theme by staging impromptu life gigs from the back of a flat-bed truck once notoriously stopping the traffic in Piccadilly.
A prodigiously talented band generally, and lead singer and guitarist Edgar Broughton himself in particular, it is something of a mystery why this relatively successful in their day Proto-Punk band are not more famous now. The two generally cited reasons are that the band was so talented in every department, and able to turn its hand to so many different styles, occasionally even during the same track, that it failed to mine an obvious niche. A second argument often proposed and one which has great merit is that The Edgar Broughton Band had such political integrity that the disillusion following the summer of love and the 1968 protests caused the group to implode, and perhaps more significantly rendered this anti-establishment hard-left socialist band without the commercial tools or desire to exploit their solid intelligent and informed fan base.
Musically there is little The Edgar Broughton Band recorded that fell short of first class. The first two albums “Wasa Wasa” and “Sing Brother Sing” are a splendid mix of timeless classics and excellent period pieces. On the third album the eponymous “The Edgar Broughton Band” known for reasons obvious to anyone who’s seen its cover as “The Meat Album” the band developed as close as they were ever to come to a homogenous commercially acceptable sound. Often listed as a fan and critic’s favourite, “The Edgar Broughton Band” shows off the band’s musicianship, with Edgar Broughton himself claiming that Dave Bedford’s arrangement on “Evening Over Rooftops” the most beautiful string accompaniment he’s ever heard.
“Inside Out” sees the band returning to cussed revolutionary intensity turning away from the materialist commercial temptations hinted at by its predecessor. Listed in my top twenty greatest albums of all time, “Inside Out” is as relevant now as it was in the early seventies. “Homes Fit For Heroes” has a particular resonance as we watch the returning heroes from Afghanistan, maimed, dead, and alive. John Lennon and David Bowie were just two of the band’s great admirers, and “Inside Out” has a freshness and a poignancy that few protest albums can claim as they enter their fifth decade.
Critically comparable to its two predecessors “Oora” suffers from having to follow the truly iconic “Inside Out” and tends to get overlooked. It does however contain my favourite EBB track of all, and one that will accompany me to my desert island should I ever be asked, “Green Lights”.
I challenge you to listen to “The Edgar Broughton Band” and “Inside Out” three times each and then argue you’re not in the presence of true genius.
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Edgar Broughton himself has continued with his socialist worker ethos by promoting his recent music with his fair day’s pay gigs at parties and in his fans’ homes. Have a look at the website www.edgarbroughton.com
© JD Shanks August 2011
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Ozzy Osbourne
Though many bands have succeeded in earning the hatred of parents and media worldwide throughout the past few decades, arguably only such acts as Alice Cooper, Judas Priest, and Marilyn Manson have tied the controversial record of Ozzy Osbourne. The former Black Sabbath frontman has been ridiculed over his career, mostly due to rumors denouncing him as a psychopath and Satanist. Despite his outlandish reputation, however, one cannot deny that Osbourne has had an immeasurable effect on heavy metal.
While he doesn't possess a great voice (it's thin and doesn't have much range), he makes up for it with his good ear and dramatic flair. As a showman, his instincts are nearly as impeccable; his live shows have been overwrought spectacles of gore and glitz that have endeared him to adolescents around the world. Indeed, Osbourne has managed to establish himself as an international superstar, capable of selling millions of records with each album and packing arenas across the globe, capturing new fans with each record.
John Michael Osbourne began his professional career in the late '60s, when he teamed up with guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward to form Black Sabbath. The band, made unique by their slow, gloomy melodies and themes, released their self-titled album in 1970 and went on to release classic platinum records such as Paranoid and Master of Reality throughout the rest of the decade. After the 1978 album Never Say Die, Osbourne was fired from Black Sabbath, which led him to form his own solo project. With his new manager and wife, Sharon, Osbourne formed his own band, the Blizzard of Ozz, with guitarist Randy Rhoads, bassist Bob Daisley, and drummer Lee Kerslake. The group's self-titled first album was released in September 1980 in the U.K. and early 1981 in the U.S. Blizzard of Ozz had some of the same ingredients of Black Sabbath: the lyrics focused on the occult and the guitars were loud and heavy, yet the band was more technically proficient and capable of pulling off variations on standard metal formulas. Featuring the hit singles "Crazy Train" and "Mr. Crowley," Blizzard of Ozz reached number seven on the U.K. charts; it peaked at number 21 in the U.S., continuing to sell for over two years and becoming a huge success. Kerslake and Daisley were replaced with Tommy Aldridge and Rudy Sarzo shortly before the subsequent November release of Diary of a Madman. This album, which included the drug ode "Flying High Again," charted at number 16 in the U.S. and became another huge seller. As the Diary tour went underway, sales for the album continued to improve as those of Black Sabbath waned.
Osbourne had no trouble in attaining mass audiences, and his career seemed to have peaked. However, controversy soon erupted when he was accused of animal cruelty: during one performance, a bat was thrown on-stage by a fan and Osbourne bit its head off while supposedly thinking that it was fake. The show was canceled when he had to be rushed to the hospital for a rabies vaccination. Not long afterward, Rhoads was killed in a bizarre plane accident, bringing the band's success to a screeching halt. Osbourne fell into a massive depression shortly after losing his best friend, and plans for his upcoming live album were soon changed. Instead of material recorded with Rhoads, 1982's Speak of the Devil featured live recordings of classic Black Sabbath material and was recorded with guitarist Brad Gillis. Osbourne was freed from his contract with Jet Records and showed up drunk at an Epic Records meeting with two doves, one of which he freed and the other of which he killed in the same manner as the bat; Osbourne was signed to the label. Jake E. Lee became Osbourne's new guitarist for the 1984 studio effort Bark at the Moon. While it didn't match the consistency of Blizzard of Ozz or Diary of a Madman, the record was equally successful, pushing the singer to embark on a tour with glam metal stalwarts Mötley Crüe. Although Bark at the Moon opened up to rave reviews, 1986's Ultimate Sin received rather harsh criticism. The album, although containing the hit single "Shot in the Dark," was regarded as Osbourne's worst studio effort by numerous critics, who claimed it was redundant and uninteresting; nonetheless, the album was another smash hit.
Also in 1986, Osbourne was accused of encouraging suicide among listeners via use of subliminal messages in his Blizzard of Ozz song "Suicide Solution," a song that he claimed was written in relation to the effects of alcohol abuse. Although the case was eventually dismissed, Osbourne once again earned a feared reputation. He pulled up his profile in 1987 with Tribute, a live album recorded in 1981 that was dedicated to the memory of Randy Rhoads. Lee soon left the band and was replaced with Zakk Wylde for No Rest for the Wicked, which would be released in 1988. The record proved to be one of his strongest yet, highlighted by "Miracle Man," in which Osbourne ridiculed evangelist (and longtime foe) Jimmy Swaggart. Just Say Ozzy, a live EP taken from the subsequent tour, was released in 1990. After recording a new studio album in 1991, Osbourne found himself without the usual enthusiasm to perform, due to his increasing age and his desire to spend more time with his family. When No More Tears was released in the fall, it was confirmed that the following tour would be Osbourne's last before retirement. Following the tour, a live double album, Live & Loud, was released in 1993 to commemorate Osbourne's career, and it was now assumed that the singer's glory days were over.
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However, the retirement was not to be -- Osbourne resurfaced in 1995 with Ozzmosis, which, despite mixed reviews, sold three million copies within a year after its release. After the subsequent tour proved one of the best-selling of the summer, Osbourne created Ozzfest, a tour package that featured himself along with many other metal bands. While there were only two performances in 1996, a live album was nonetheless released, simply titled The Ozzfest. 1997's tour package included such metal acts as Pantera, Marilyn Manson, and a Black Sabbath reunion from which only Bill Ward was absent. With the exception of Sarah McLachlan's Lilith Fair, Ozzfest 1997 was the most successful tour of the year, and Osbourne released a compilation album, The Ozzman Cometh, in November. Shortly afterward, Osbourne united the entire original lineup of Black Sabbath to record the live album Reunion, which was released in 1998. He also found time to duet alongside rapper Busta Rhymes for a remake of the Sabbath classic "Iron Man," retitled "This Means War," which was included on Rhymes' 1998 release Extinction Level Event (The Final World Front).
Sabbath continued to tour well into 1999, as they again headlined the year's Ozzfest, which was billed as their supposed final tour. The same year, a grisly Ozzy action figure was shipped out to toy stores -- complete with tiny decapitated bats. Osbourne also finally began work on the follow-up to his lackluster 1995 solo release Ozzmosis, which saw him joined by returning guitarist Wylde, plus former Faith No More drummer Mike Bordin and former Suicidal Tendencies/Infectious Grooves bassist Robert Trujillo. 2001 was greeted with the news that not only was Black Sabbath reuniting once again for the summer's edition of Ozzfest, but that the quartet was going to enter the recording studio in the fall with producer Rick Rubin to work on the original lineup's first all-new album since 1978's Never Say Die. Unfortunately, Epic Records caught word of Osbourne's plans and stopped both a post-Ozzfest tour with Disturbed and the album itself until he finished his solo record. Ozzy fans were given the double-disc Ozzfest: Second Stage Live to tide them over in the meantime -- the collection included tracks from most of the bands that participated in the 2000 festival, as well as tracks from Ozzfest's inaugural 1996 lineup.
Finally, the new solo album Down to Earth appeared in the fall of 2001, followed by a few successful rock radio singles and a huge Christmas tour with co-headliner Rob Zombie. Meanwhile, inspired by an episode of MTV's Cribs starring his family, Osbourne and the network's producers took a chance on creating a reality show based around the infamous singer. Following his family around the house for several months at the end of 2001, the end result was The Osbournes, one of the most successful shows in the history of the network. The show, which was equal parts documentary and sitcom, reinvented Osbourne as a befuddled father with a razor-sharp wit and a loving family. It also proved to also be a critical success, and Osbourne found himself invited to a White House dinner to promote his animal protection activism, something that only came to light after an episode of the show dedicated to the family's numerous pets. A string of compilations followed Down to Earth, including 2005's Under Cover, a collection of cover songs. Ozzy returned to the studio the following year to begin work on a new studio album. The resulting Black Rain arrived in May 2007. ~ Barry Weber & Greg Prato, All Music Guide
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BLACK SABBATH
Black Sabbath came together in 1967 to form one of the seminal Heavy metal bands of all time. The band was instrumental in creating the imagery commonly associated with Heavy Metal, the occult inspired, apocalyptic, death and destruction imagery that has so often been imitated over the years. Black Sabbath, were notorious for their amplified distortion, monstrous beats and the emphatic guitar solos of Tony Iommi.
Birmingham, England is the city that Black Sabbath came together; originally as a blues band, they would swiftly move on from this phase and by 1969, Ozzy Osbourne (vocals), Tony Iommi (guitar), Bill Ward (drums) and Geezer Butler (bass) had christened themselves “Black Sabbath”. By 1969 Black Sabbath had signed a record deal with Phillips Records, releasing the single “Evil woman (Don’t Play Your Games With Me)” in the early 1970’s, the single did not prove a success. Later that year Black Sabbath released their self-titled debut album that charted well in the U.K and sold over a million copies in the U.S, all with very little radio airplay.
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Music critics on both sides of the Atlantic were shocked and appalled at the in your face, extreme and uncompromising sound that Sabbath were offering and were consistently panned by the press. The band ventured forward nevertheless and their next single “Paranoid” would become the single most synonymous with the band, the album of the same name would be released that same year 1971, remaining in the U.S chart for over a year and selling over to four million copies.
The band experienced varying success throughout the seventies, with enough drugs supposedly flying around to supply a large town and a conflict in the band between Iommi and Osbourne, surrounding the musical direction the band should take. Osbourne left the band to pursue a solo career. The band went through multiple line-up changes, with moderate success at the most. While Ozzy under the guidance of his wife Sharon (daughter of artist manager Don ‘Al Capone of pop’ Arden) set up the extremely successful OzzFest that has been going strong for 12 years, a period of being the most famous family in America, with MTV’s reality TV programme “The Osbournes”, not to forget creating the now infamous mystique as the bird head biting, Prince of Darkness.
The band would reunite in 1998 for a live album that would eventually culminate in a Grammy win for Best metal Performance and in 2006 Black Sabbath were inducted into the Rock and Roll Hall of Fame. Black Sabbath continues to tour, sometimes with, sometimes without Ozzy, either way they continue to remind us what a groundbreaking and important band they once were.
For The Record:
Original members included Terry "Geezer" Butler (born July 17, 1949, in Birmingham, England; left group 1985, rejoined 1991), bass; Tony lommi (born February 19, 1948, in Birmingham), guitar, keyboards; John "Ozzy" Osbourne (born December 3, 1948, in Birmingham), vocals; and Bill Ward (born May 5,1948, in Birmingham; left group 1981), drums.
Later members include Vinnie Appice (born in New York, NY; bandmember 1981-1982, 1991—), drums; Bev Bevan (bandmember 1982-1987), percussion; Bob Daisley (bandmember 1987), bass; Ronnie James Dio (born in Cortland, NY; bandmember 1979-1983,1991—), vocals; Ian Gillan (bandmember 1983-1984), vocals; Glenn Hughes (bandmember 1986-1987), vocals; Tony Martin (bandmember 1989-90), vocals; Geoff Nicholls (bandmember 1986-1990), keyboards; Eric Singer (bandmember 1986-1990), drums; and Dave Spitz (bandmember 1986-90), bass.
Group formed in Birmingham, England, 1967; originally named Earth; signed by Vertigo Records (U.K.), Warner Bros. Records (U.S.), and released debut LP, Black Sabbath, 1970.
Awards: Gold records for Black Sabbath, 1970; Paranoid and Master of Reality, both 1971; Volume 4,1972; Sabbath, Bloody Sabbath, 1973; Sabotage, 1975; and Technical Ecstasy and We Sold Our Soul for Rock 'N' Roll, both 1976.
Addresses: Record company—Reprise Records, 3300 Warner Blvd., Burbank, CA 91505-4694; 75 Rockefeller Plaza, New York, NY 10019-6979.
Soon thereafter the band's relentless international touring schedule began to take its toll; but even as the members of the group announced their intention to tour less, their popularity continued to increase. 1972 saw the release of Volume 4, an ambitious excursion that brought more converts into the Sabbath fold. The LP included the gospel-tinged ballad "Changes," in which Osbourne's melancholy vocals were accompanied by strings and piano, and the kinetic rocker "Supernaut." Next came 1973's Sabbath, Bloody Sabbath. By that time, Rolling Stone's response had become downright respectful. Reviewer Gordon Fletcher called the record "an extraordinarily gripping affair" and dubbed the group "a true Seventies band"—a compliment at the time. More sonically varied than most of the band's previous efforts, the LP included such embellishment as orchestral arrangements. Years later, in a retrospective of musical "guilty pleasures," Ken Richardson of High Fidelity called the record "a fierce, multidimensional revival that holds up well." For Richardson, however, Sabbath, Bloody Sabbath was the group's last important recording.
In the early 1970s Black Sabbath became involved in a squabble with their management and found themselves on a couple of different British labels—World Wide Artists and NEMS—though they would return to Vertigo in 1976. The group had resumed its intensive touring schedule after a hiatus and released a new album, Sabotage, in 1975. Sabbath touted the record in a Rolling Stone interview as a return "to basic roots." Even so, the group recorded a choir for part of the album and took keyboardist Jezz Woodruff on tour; lommi, too, played some keyboards on the record. "Sabotage is not only Black Sabbath's best record since Paranoid, " opined Billy Altman in his Rolling Stone review, "it might be their best ever." Melody Maker found that with their 1976 follow-up, Technical Ecstasy, the group could "break the mould and still provide fresh exciting music." That year also saw the release of the two-record retrospective We Sold Our Soul for Rock TV' Roll, which featured many of Sabbath's most popular songs.
Discography:
Black Sabbath (includes "Black Sabbath"), 1970.
Paranoid (includes "Paranoid," "War Pigs," and "Iron Man"), 1971.
Master of Reality (includes "Sweet Leaf"), 1971.
Volume 4 (includes "Changes" and "Supernaut"), 1972.
Sabbath, Bloody Sabbath, 1973.
Sabotage, 1975.
We Sold Our Soul for Rock 'N' Roll, 1976.
Technical Ecstasy, 1976.
Never Say Die, 1978.
Heaven and Hell, 1980.
Live at Last, 1980.
Moo flutes, 1981.
Live Evil, 1983.
Born Again, 1983.
Seventh Star, 1986.
The Eternal Idol. 1987.
Headless Cross, I.R.S., 1989.
Tyr, I.R.S., 1990.
Dehumanizer (includes "Time Machine"), Reprise, 1992.
(Contributor) "Time Machine," Wayne's World, 1992.
HAVE A LOOK AT THIS GREAT BLACK SABBATH MERCHANDISE HERE
Source: Segun Murray Ogunsheye, eNotes,
This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com
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THE CARDIGANS
Swedish band, The Cardigans may come across as having all the aspects of the perfect pop-band; sweet, cute, bubbly. It’s true what they say, images can be deceiving. They are often described as the biggest thing to come out of the country since Abba.
They formed in 1992, by two heavy metal musicians; Peter Svensson and Magnus Sveningsson. They enlisted keyboardist Lars-Olof Johansson, drummer Begt Lagerberg and the lead singer Nina Persson.
The bands first album, ‘Emmerdale’, captured everything that is great about this odd mix of musicians. Nina Persson's breathy, girlish voice may seem sweet and innocent, but the words she sings often carry a unique gloom, worthy of grunge’s angriest vocalists. This album also holds a strange disco reinterpretation of Black Sabbath's "Sabbath Bloody Sabbath”, showing off the bands odd brilliance.
The more upbeat ‘Life’ followed, bringing with it international success. The band soon signed to Mercury Records, releasing their third album ‘First Band on the Moon’, which brought with it the smash hit ‘Lovefool’. 1998 saw the release of the band’s most well-known album ‘Gran Turismo’, which gave way to the release of singles ‘Erase/Rewind’ and ‘My Favourite Game’. The video was banned from MTV for featuring reckless driving, tut.
CLICK HERE FOR EVEN MORE UNIQUE THE CARDIGANS VIDEOS
Between 1998 and 2002 the band split to embark on solo projects, before returning in 2003 with the release of the album ‘Long Gone Before Daylight’. ‘Super Extra Gravity in 2005’ was released two years later, featuring more down-beat lyrically weak songs. The took a break from the music business shortly after.
Members include Bengt Lagerburg, drums; Lars-Olof Johansson, guitar and keyboards; Nina Persson, vocals; Magnus Svenigsson, bass and Peter Svensson, guitar.
Band formed 1992, Jönköping, Sweden; signed with Stockholm Records and released debut album Emmerdale, 1994; American debut, Life (comprised of tracks from first two Swedish releases), released on Minty Fresh label, 1996; signed with Mercury Records and released First Band on the Moon, 1996; song "Lovefool" featured on soundtrack of film Romeo and Juliet, 1996.
Albums:
Emmerdale, Stockholm Records, 1994.
Life, Stockholm Records, 1995.
Life (U.S. version; includes "Sabbath Bloody Sabbath"), Minty Fresh, 1996.
Gran Turismo, Stockholm Records, 1998.
Long Gone Before Daylight, Stockholm Records, 2003.
Super Extra Gravity, Stockholm Records, 2005.
Sources: Carly Page; Simon Glickman
This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com
