This highly influential artist Gram Parsons was born Cecil Ingram Connor III in November 1946. Born into a wealthy family, his early life was spent split between Florida and Georgia. Early tragedy punctuated his life when first his farther committed suicide then his mother died following years of excessive drinking. He had by now taken the name of his stepfather and was to find solace in music.

From the age of 16 he played in local bands, mostly playing rock and roll covers but soon discovered folk music and formed his first professional band in 1963. He spent a brief, if unspectacular term at Harvard University before dropping out after meeting guitarist John Nuese who persuaded Parson’s to give up on the folk music he had been playing and to join him to play in a more country based style. Recruiting Ian Dunlop on bass and Mickey Gauvin on drums, they formed the International Submarine Band. In early 1966 the band relocated to New York and recorded a couple of singles and most of a subsequently scrapped album.

When success eluded them in New York, Parsons moved out to Los Angeles. Able to live from a substantial trust fund, Parsons soon became part of the film community, befriending Peter Fonda and starting a relationship with actress Nancy Ross. Following recommendations from Ross, the rest of the band joined Parsons in LA and soon blagged themselves a part in the psychedelic exploitation film “The Trip” Despite recording some songs for the film, music from The Electric Flag was preferred although Parsons and the band can be seen in the film, Parsons was by now convinced that the path to success lay in country music and particularly in the new Country Rock sound that was fighting to be established. Dunlop and Gauvin disagreed and left. Good fortune was just around the corner however, and duo were picked up and signed just days later to Lee Hazlewood’s label, LHI records.

With just Parsons and Nuese left from the original band, session musicians were drafted in to record the bands only album. "Safe At Home". Containing a number of Parsons original compositions, the album was due for release in early 1968 but was put on hold as just prior to this, Parsons had auditioned to replace David Crosby in the Byrds and was finally put out much later that year. Having passed the audition, he was soon to join the new band recording the album “Sweetheart Of The Rodeo” also released in 1968.

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Unfortunately, Parsons was still signed to LHI and his new band mates to Columbia. This result of this was that Parsons was hired, along with Kevin Kelley, as sidemen and not full band members. Despite this, to the outside world, Parsons was a full member and was given equal billing and contributed some fine songs to the album, including the classic “Hickory Wind” Due to the contractual complications, many of Parsons vocals had to be replaced (by Roger McGuinn) and his only lead vocals appear on just three tracks. Recorded partly in the country music stronghold of Nashville, this album truly paved the way for Country Rock to take off. With this album, the Byrds left behind the frivolous world of psychedelic pop to bring country music to the masses.

Ever restless, Parsons was to quit the Byrds during a tour of England late in 1968 (a busy year!) allegedly due to the bands planned concert in the political hot potato of South Africa. Parsons spent some time in England and became friendly with The Rolling Stones, particularly Keith Richards who had his interest in country music re ignited by the American.

Following his return to the States, Parsons prised Chris Hillman away from the Byrds and the pair formed the “Flying Burrito Brothers” with Chris Ethridge and Pete Kleinow. They were soon in the studio to record their debut album, the exotically titled “The Gilded Palace Of Sin” Now acknowledged as a classic of the genre, the album mixed traditional sounds of folk, country and gospel with contemporary electric guitars. Once again, commercial success eluded them while some critics were confused and some found the conflicting styles confusing. With Michael Clarke joining on drums, the band toured across the States. Now indulging in copious amounts of drugs, Parsons live performances were inconsistent at best, a lifestyle also followed by Ethridge, who, no longer sharing the bands vision, left.

When the Stones relocated to the States in 1969, the situation worsened. Writing new songs and rehearsing with the band took second place to partying with the Stones and the bands reputation dwindled. A short set opening at the infamous Altamont Festival did little to raise the bands profile. With their record label trying to salvage something and to try to recoup some of their investment, they were ordered into the studio to record anything that might encourage commercial returns. After some sessions, with hastily written songs and using some of the out takes from “The Gilded Palace..” "Burrito Deluxe" was completed and released in April 1970. Although under par, the album was notable for the inclusion of the Jagger/Richards classic “Wild Horses” the first ever recording of the song. After again lacking any commercial success and this time also receiving some harsh criticism from the press, Parsons walked out. The band would continue for a while longer, recording two subsequent albums.

Signing immediately as a solo artist with A&M, he started work on an album with famed producer Terry Melcher. By now in the grip of the unholy trinity of cocaine, heroin and drink, Parsons was uninspired and the sessions returned little in the way of new music. Putting the album on hold, he returned to the comforting fold of the Keith Richards and the Stones where he was still considered a major talent. Following the Stones to Europe where they were working on their “Exile In Main Street” classic, he may have contributed some vocals on some tracks but, understandably, things are a bit cloudy around these sessions. Eventually, Parsons was considered a distracting influence and left the Stones compound at the insistence of Anita Pallenberg.

Now married to actress Gretchen Burrell, Parsons disposition changed. Now off heroin and revitalized, he started back again on his solo record. With the help of recently befriended Emmylou Harris, “GP” was released in 1973. In support of the album, a States wide tour commenced. While a bit ragged at first, the band, including Harris, were soon playing to enthusiastic audiences with high profile fans such as Neil Young and Linda Ronstadt leading the applause. The album however followed the same pattern as previous releases and failed to chart.

In the summer of 1973 work commenced on what was to be his final album. Now kept away from most chemical distractions, he was making a serious attempt to put his career and life back on track. Again using most of the musicians on “GP” the paucity of new, original material however, resulted in a messy collection of reworked oldies, cover songs and hastily written originals. Finally completed in September, Parsons retreated to California for some rest and recreation. Staying at the Joshua Tree Inn at the site of the national monument there, Parsons often visited and stayed in the area and described it as his favourite place.

Less than two days after arriving, he died from an overdose of alcohol and morphine aged just 26. When that final album was released in January 1974, it was much changed from the album envisaged by Parsons. His widow, Gretchen, who Parsons was due to divorce, changed the running order of the songs, removed the original title track “Sleepless Nights” completely, changed the cover photo and relegated the role Emmylou Harris had to next to nothing. Now called “Grievous Angel” the album has grown and grown in its influence and many critics believe that it achieved Parsons vision of “Cosmic American Music”

Parsons death has gone into rock folklore. Drunkenly telling his loyal manager Phil Kaufman that he wanted to be cremated and have his ashes scattered across the desert he loved, Kaufman did his bidding. “kidnapping” his body from Los Angeles airport where it was going to be taken to Louisiana for a private ceremony, Kaufman instead drove the coffin into the desert and set fire to it and although his ashes were never scattered, they at least were in the desert.

Parsons life and early death tell a tragic tale. Never successful with any of the bands he played with, he would too often jump ship in a desperate attempt for fame and acclaim. Never needing to struggle for his art like so many of his contemporaries, he could drift from one project to the next. An addictive personality, no doubt inherited from his mother, his struggle with the lack of fame must have been hard to take. As his reputation grew posthumously, coupled with the mystique of his death, so his influence grew. Regularly credited with starting the country rock genre and cited as a major influence for such bands as the Eagles, Poco and the Doobie Brothers, his importance is assured. His recordings have continued to be released to his ever faithful fans with many compliations and collections adding to his brief portfolio.

Has the reputation and critical influence been exaggerated with a tragically early death and such high profile “friends” making him the american Nick Drake. I wonder.

Roger Gibbens

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American “retro” rocker, Lenny Kravitz’s style has been compared to such greats as Prince and Jimi Hendrix. His career boasts multi-platinum albums, four consecutive Grammy awards for Best Male Rock Vocal Performance and over 40 million album sales globally.

Kravitz’s influence also reaches his peers. His collaborative efforts read more like a Hollywood A-List party - Jay-Z, Aerosmith, Mick Jagger and P. Diddy amongst others.

In the 80s, Kravitz worked under the stage name Romeo Blue. He developed a demo but was told he wasn’t “black enough” to compete with the RnB styles that dominated the radio airwaves at the time. Undeterred and without a label, Kravitz decided to started work on an album and managed to attract the attention of Virgin Records.

Within a few years, he traded the Shakespearian nom de plume for a freshly signed Virgin Records contract and released his debut album Let Love Rule in 1989 to mixed reviews.

In the first few years of the 90s, Kravitz spent writing and producing for other artists including Madonna’s Justify My Love but also experienced his first chart success with second album Mama Said. This album featured a song titled It Ain’t Over Til It’s Over and collaborations with Guns 'N' Roses’ Slash and Beatles’ Offspring, Sean Lennon.

In 1993, Are You Gonna Go My Way was released and reached #12 on the Billboard charts and won Kravitz a BRIT award. He followed up with Circus in 1995 which hit #10 despite it only having two moderately successful singles.

In 1998, Kravitz exploded onto the mainstream music scene with his fifth album, suitably named 5, thanks to the hit single Fly Away. This song helped make the album multi-platinum, featured on advertisements and secured Kravitz his first Grammy in 1999.

Success continued in 2001 with an award-winning, cover version of the Guess Who’s American Woman for the second Austin Powers movie soundtrack.

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Kravitz subsequently released three more studio albums and became more involved in other projects like political activism, acting and collaboration. He also established his own record label named Roxie Records and a design company aptly named Kravitz Designs. In an era of throwaway music careers, Kravitz has proven his critics wrong with a three decade long career that continues to flourish.

Juanita Appleby

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The Boomtown Rats were one of the biggest bands to come out of the UK new wave, punk genre. The group consisted of Pete Briquette (bass), Gerry Cott (guitar), Johnny Fingers (piano), Bob Geldof (vocals), Garry Roberts (guitar) and Simon Crowe (drummer). This Irish six-piece was primarily active between the years of 1975 - 1985 and best known for hits I Don’t Like Mondays and Rat Trap.

In 1977, The Boomtown Rats appeared on Britain’s Top of the Pops performing Mary of the Fourth Form. The band had an interesting stage presence; Geldof was known for being new wave’s Mick Jagger and Fingers performed in striped pyjamas.

Two years later, the band set off on a world tour and shortly after Geldof and Fingers wrote the classic I Don’t Like Mondays after hearing about a Californian girl that shot her school principal and injured other fellow students. The track was banned on American radio and only managed to reach #73 on the US charts. But it was named 1979’s Single of the Year by the British Pop and Rock awards and sold over a million copies in England alone.

The early 80s ushered in the new romantics, a spin-off of the new wave movement, with bands like Spandau Ballet and Duran Duran. It also proved to be the years that the Boomtown Rats were to break up.

After releasing its fourth album, the band began dabbling with a reggae sound and that wasn't popular with their core fans.

In 1985, after seeing a news report on Ethopia, Geldof set about arranging Band Aid that recorded a charity track called Do They Know It’s Christmas. The song featured The Boomtown Rats as well as vocals from some of the major British artists of the time including Sting, Bono, Paul McCartney and Boy George. This was the beginning of Geldof going solo and launching the Live Aid Trust.

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One year later, the band managed to release its final album In the Long Grass but it failed to produce any chart-topping singles.

In the end, some of The Boomtown Rats’ members went on to form other bands and Geldof became a household name by being an outspoken advocate for various humanitarian and charitable activities.

Juanita Appleby

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One of America’s most popular hard-rock acts and arguably one of the biggest bands of all time, Aerosmith formed in the New England area of Boston, Massachusetts in 1970. Lead vocalist, Steven Tyler (originally named Steven Tallarico) joined guitarist Joe Perry in a Cream-styled rock combo. Together with Tom Hamilton, Joey Kramer and Ray Tabano, the band’s original line-up was complete, however after a very short period of time, Brad Whitord replaced Tabano.

After their first gig at the Nipmuc Regional High School, the band took the name, Aerosmith (named after the book, “Arrow Smith by Sinclair Lewis). Their popularity grew, and a triumphant gig at Max’s Kansas City in 1973 led to a recording contract with Columbia Records.

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That year, Aerosmith secured a minor chart placing with their self-titled debt album. Its attendant single, ‘Dream On’, peaked at number 59 (it became a top 10 hit in 1976). Jack Douglas proved to become a great asset to the band with producing the highly successful album, ‘Toys in the Attic’, which sold in excess of six million copies worldwide. Tyler’s remarkable physical resemblance to Mick Jagger, and his foil like relationship with guitarist Joe Perry, also inspired comparisons with The Rolling Stones.

In 1978, tension between Tyler and Perry proved to be irreconcilable. The guitarist left the band and founded the Joe Perry Project, who was replaced by Jimmy Crespo in 1980. The following year Brad Whitford left to persue a new musical career. Rick Dufay debuted on ‘Rock In a Hard Place’, but this set failed to capture the fire of the band’s classic recordings.

Contact between the remaining band members and Perry and Whitford was re-established during a 1984 tour. Antagonisms were set aside and the following year the quintet’s most enduring line-up was performing together again. Tyler and Perry rid themselves of their notorious drug and alcohol dependencies. In 1986 they accompanied Run-DMC on ‘Walk this Way’, an Aerosmith song from ‘Toys in the Attic’ and a former US top 10 entry. The collaboration, which reached number 4, rekindled interest in Aerosmith’s career and helped push rap music into the mainstream.

‘Permanent Vacation’ became one of their best selling albums, and the first to make an impression in the UK. The following year they achieved a US number 1 with the infamous ‘I Don’t Want To Miss A Thing’. The song stayed at the top for four weeks and provided the band with their first top 5 UK single.

Aerosmith’s latest album, ‘Honkin’ On Bobo’ is dedicated to the blues roots of their music and the music they all grew up listening to. Aerosmith have even had a rollercoaster dedicated to them called the Rockin’ Rollercoaster at MGM studios Disney World, Florida. 

Discography:

Aerosmith, Columbia, 1973.

Get Your Wings, Columbia, 1974.

Toys in the Attic, Columbia, 1975.

Rocks, Columbia, 1976.

Pure Gold, Columbia, 1976.

Draw the Line, Columbia, 1977.

Live Bootleg, Columbia, 1978.

A Night in the Ruts, Columbia, 1979.

Greatest Hits, Columbia, 1980.

Rock in a Hard Place, Columbia, 1982.

Done with Mirrors, Geffen, 1986.

Classics Live, Columbia, 1986.

Permanent Vacation, Geffen, 1987.

Gems, Columbia, 1989.

Pump, Geffen, 1989.

Get a Grip, Geffen, 1993.

Nine Lives, Columbia, 1997. 

Just Push Play, Columbia, 2001.

Honkin' on Bobo, Columbia, 2004.

Sources: Mathew Jones; Joan Goldsworthy

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The Rolling Stones, often labeled as ‘the world’s greatest rock and roll band’, were formed as early as 1949 when guitarist Keith Richards and singer Mick Jagger, went to school together.  

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Eleven years later the two crossed paths again. They found out about a local musician named Alexis Korner who held blues jams at the Ealing Club. After Jagger began to sing for Korner's Blues Incorporated, he decided to join a group that Richards was putting together. Other members included Ian Stewart (piano), Bill Wyman (bass), Charlie Watts (drums), and Brian Jones (guitar).

Manager Andrew Loog Oldham got them work at the Marquee Club in London, England, in 1963, billed as "Brian Jones and The Rollin' Stones". They soon became known as "the group parents love to hate." Oldham decided that pianist Stewart did not fit in and pushed him to the background.

Oldham got the Stones a contract with Decca Records, and in June 1963 they released their first single, a version of Chuck Berry's ‘Come On’ backed with ‘I Want to Be Loved’. Continuing their eight-month residence at the Crawdaddy Club in Richmond, England, they released their version of The Beatles's ‘I Wanna Be Your Man’ followed by Buddy Holly's ‘Not Fade Away’. Their fourth single, ‘It's All Over' climbed all the way to number one in their homeland. Their next hit, ‘Little Red Rooster’, also reached number one but was banned in the United States. 

The Rolling Stones already had two albums out in England by the time they broke the U.S. Top 10 with ‘The Last Time’, In the summer of 1965 they had a worldwide number one hit with ‘Satisfaction’. Allan Klein then took over as manager, and in 1966 the band released ‘Aftermath’, its first album of all original songs. In 1967 The Stones recorded ‘Their Satanic Majesties Request’, noted mainly for being the last album that Brian Jones, who had become heavily involved with drugs, truly worked on. After 1968's ‘Beggar's Banquet’, Jones quit the band, and was found dead one month later.

Two days later The Stones hired Mick Taylor, as Jones's replacement, and recorded their next album, ‘Let It Bleed’.

In 1971 The Stones formed their own label, Rolling Stones Records, and they began to experiment with different kinds of music. Their next two albums, ‘Goat's Head Soup’ and ‘It's Only Rock and Roll’, were viewed as so-so efforts. In 1975 Taylor decided to walk away from the band.

Guitarist Ron Wood fit The Stones perfectly, taking Taylor's place on a 1975 tour of America. The first full album he contributed to was ‘Black and Blue’ in 1976.

During the 1980s it was often rumored that The Rolling Stones would break up. Richards was not happy when Jagger took time off to work on his first solo album

Rumours of the band's breakup were put on hold in 1989, when The Stones announced plans for a new album and a world tour. ‘Steel Wheels’ sold millions of copies and a sell-out tour followed. Bill Wyman announced his retirement shortly after. With Darryl Jones replacing Wyman, The Stones next released ‘Voodoo Lounge’.

The band settled into the routine of producing a new album and going on tour every few years. In 2001 Jagger and Richard appeared at Paul McCartney's Concert for New York City to raise money for victims of the September 11 terrorist attacks on the United States. The Rolling Stones  contiue to tour.

Nucleus of band formed c. 1962 in London, England; performed as Brian Jones and the Rollin' Stones, 1962-63; original members included lead singer Mick Jagger (full name Michael Philip Jagger; born July 26,1943, in Dartford, Kent, England); guitarist Keith Richard (surname sometimes listed as Richards; born December 18,1943, in Dartford, Kent, England); guitarist Brian Jones (full name, Lewis Brian Hopkins-Jones; born February 28, 1942, in Cheltenham, Gloucestershire, England; left band June 9, 1969; drowned, July 3,1969); drummer Tony Chapman (left band c. 1962); bass player Dick Taylor (left band c. 1962); and pianist Ian Stewart (left band c. 1963).

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Marianne Faithfull is well known for her sex, drugs and rock n’roll lifestyle, which was all the more surprising as she appeared as a demure and innocent songstress recording such songs as 'As Tears Go By' and 'If You’ll Come and Stay with Me'. She lived with Mick Jagger for approximately two years and, by her own admission, was heavily into the three vices: sex, drugs and (if you call it a vice) rock’n’roll. Her notoriety hasn’t been helped by the tag of the ‘Mars Bar’ girl mentioned in the infamous police drugs raid on Keith Richards home in 1967.

Marianne appeared in couple of films, 'I’ll Never Forget What’s 'is name' and 'Girl on a Motorcycle' however, there was a failed suicide attempt in 1969 while Jagger was filming Ned Kelly in Australia. This marked the end of their relationship. Marianne Faithfull then sank into the world of drugs and alcohol for the next decade, even sleeping on the streets on some occasions.

She is now, however, free of these vices and has recorded a number of gravelly voiced and deeply moving albums and, indeed, is still touring today.

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