Blues Rock


Chris Rea black and white
Chris Rea black and white guitar
Chris Rea live
Chris Rea pose
Chris Rea bnw

In 1976 Rea signed as a solo artist with Magnet Records. He got off to a flying start with the single "Fool If You Think It's Over," which charted in both the United Kingdom and the United States and earned him a Grammy nomination for best new artist. Unfortunately for Rea, he was making the right music at the wrong time. Soon after his initial burst of popularity, punk swept over England, overshadowing every other style of music. Rea slipped into a period of relative obscurity. He wrote some fine albums, such as Shamrock Diaries and Do You Like Tennis, but sales of these were far too small to satisfy record company executives.


During this period, Rea became quite disillusioned with the machinations of the recording industry. "I was very close to completely stopping music and opening an Italian restaurant," he told Kent Zimmerman of the Gavin Report. "I was sick to death of it. I didn't want to be a rock star. I just wanted to enjoy the music, which is what I started out doing.... Everyone wanted me to be the next Elton John or George Michael-type superstar. That's not where I come from. I come from the school of Joe Walsh, Bonnie Raitt, Ry Cooder, Lowell George."

Rea's label was as disenchanted with him as he was with them. When he delivered the demo tapes for the album Watersign, the company skipped over the usual remixing process and released the tapes untouched, apparently aiming to fulfill his contract and release him. The unexpected happened, however: Watersign became a respectable hit, selling half a million copies and producing a top single, "I Can Hear Your Heart Beat." Rea began touring heavily to bolster the album's success, and built up a loyal following in Germany and France as well as the United Kingdom.

Rea's greatest recognition in the United States came with his 1990 recording, The Road to Hell. Zimmerman stated that "Out of ... ten-plus years of recording music, Road to Hell stands out as his masterwork.... There's a feel of environmental politics threading its way, conceptually, through most of the songs.... Mixed in with the doomy lyrics and instrumentation are a few choice love songs."

Rea conceived of the album while trapped in an all-too-typical traffic jam in the south of England. The isolation of the thousands of commuters in their cars struck him forcefully, and within days he had written several songs concerning the ills of modern life. The music behind the lyrics has an ominous, eerie quality. "That's deliberate," Rea explained. "I'm trying to bring a bit of Alfred Hitchcock into the music... A lot of folks do think that we're on the edge of some terrible, impending disaster.

Rea had another success in America in 1994 with Espresso Logic, which showcased "a number of genres, from crunching blues, to Beatlesque pop, to fluent jazz," according to Steve White in the Lowell, Massachusetts Sun. The album consists of tracks previously included on European releases, one of which was also called Espresso Logic; the other was titled God's Great Banana Skin.

The U.S. album, however, included a duet by Rea with Elton John titled "If You Were Me." Reviewers commented on Rea's fluid slide guitar and praised his throaty yet polished vocals. In addition, Lee Barrish, writing for Cleveland's Scene, observed, "The elements of woe (thoughts of mortality and death) that coursed their way through the last three albums have finally been laid to rest." A Network Forty reviewer remarked that the release "is a bold milestone" in Rea's career and also noted that Rea's relative obscurity in the United States despite his immense popularity in Europe does not affect him: "He has always stood for quality music with intelligence, not just commercial appeal."

For the Record ...
Born in Middlesbrough, England, 1951; married.

Played with band Magdalene, later called the Beautiful Losers, 1970s; signed as solo artist with Magnet Records, 1976; released debut album, Whatever Happened to Benny Santini, 1978.


Deltics, Magnet Records, 1979.

Tennis, Magnet Records, 1980.

Chris Rea, Magnet Records, 1982.

Water Sign, Magnet Records, 1983.

Wired to the Moon, Magnet Records, 1984.

Shamrock Diaries, Magnet Records, 1985.

On the Beach, Magnet Records, 1986.

Dancing with Strangers, Magnet Records, 1987.

The Road to Hell, Atco Records, 1989.

Auberge, EastWest Records, 1990.

God's Great Banana Skin, EastWest Records, 1992.

Espresso Logic, EastWest Records, 1993.

La Passione, EastWest Records, 1996.

The Blue Cafe, EastWest Records, 1998.

The Road to Hell: Part 2, EastWest Records, 1999.

King of the Beach, EastWest Records, 2000.

Dancing Down the Stony Road / Stony Road, Jazzee Blue / Edel, 2002.

Blue Street (Five Guitars), Jazzee Blue, 2003.

Hofner Blue Notes, Jazzee Blue, 2003.

The Blue Jukebox, Jazzee Blue, 2004.

Blue Guitars, Ear Books / Edel, 2005.

The Return of the Fabulous Hofner Blue Notes, Ear Books / Edel, 2008.

Source: Joan Goldsworthy

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. 

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The White Stripes
The White Stripes promo
The White Stripes live
The White Stripes

Detroit minimalist rock duo (specifically, southwest Detroit minimalist rock duo) the White Stripes -- Jack White, guitar and vocals, Meg White, drums -- formed in 1997 (Bastille Day, to be precise) with the idea of making simple rock & roll music.

From the red-and-white peppermint candy motif of their debut singles, self-titled album, and stage show to their on-the-surface rudimentary style, they succeeded wildly and immediately with that mission. Their first recordings were a mix of garage rock, blues, and the occasional show tune. In frontman Jack (a former drummer for Detroit country outfit Goober & the Peas), the White Stripes have a formidable songwriter, guitar player, and vocalist capable of both morphing between styles and changing the musical styles themselves; ranging from the folk blues of Blind Willie McTell to soaring Kinks-esque pop and narrative pop tunes worthy of Cole Porter and into deepest Captain Beefheart territory within the span of 15 minutes is not an uncommon listening experience with either The White Stripes live show or on record. In drummer Meg, The White Stripes have a minimalist percussionist who seems to sense intuitively exactly when to not play. The White Stripes are grounded in punk and blues, but the undercurrent to all of their work has been the aforementioned striving for simplicity, a love of American folk music, and a careful approach to intriguing, emotional, and evocative lyrics not found anywhere else in the modern punk, or garage rock (or among postmodern "blues" practitioners such as Jon Spencer, for that matter).

While they may have sprung from the Detroit rock scene, The White Stripes quickly gained a national following after two successive tours with indie rockers Pavement and Sleater-Kinney in 1999 and 2000. The White Stripes released their second LP, De Stijl, in 2000 and it further spread the group's reputation. They followed its release with successful tours of Japan and Australia and entered the Memphis studio of renowned producer Doug Easley for 2001's White Blood Cells. The album was a critical smash and The White Stripes soon found themselves, along with The Strokes and The Hives, at the forefront of the new wave of rock & roll bands poised to take over the world. The band certainly did their best to achieve world domination, appearing on Late Night with David Lettterman, being written about in Time, The New Yorker, and Entertainment Weekly, playing the MTV Movie Awards, and having their video for "Fell in Love with a Girl" in heavy rotation on MTV. They also made the tough decision to jump to a major label; White Blood Cells was reissued on V2 in January of 2002 and their first two records followed suit in June. The White Stripes truly became big time rock stars when their "Fell in Love with a Girl" clip was nominated for four MTV Video Awards, including Best Video of the Year (alongside Eminem and NSYNC!), Breakthrough Video, Best Special Effects in a Video, and Best Editing in a Video. That summer the group also played four triumphant shows with the Strokes, two apiece in the bands' respective hometowns. In spring 2003 their fourth full-length, Elephant -- recorded in two weeks at London's Toerag Studio and dedicated to "the death of the sweetheart" -- arrived to nearly unanimous critical acclaim.


In 2005 the Stripes returned with Get Behind Me Satan, a dizzyingly diverse album that spanned disco-metal and light, marimba-driven pop and was written and recorded in two weeks that spring. While touring that year, the band covered Tegan and Sara's "Walking with a Ghost", which they released as a single at the end of 2005. That year, Jack White and his wife, model/singer Karen Elson, moved to Nashville, TN. White also formed The Raconteurs with Brendan Benson and the Greenhornes' Jack Lawrence and Patrick Keeler, and spent much of 2006 touring in support of the group's debut album, Broken Boy Soldiers. Early in 2007, The White Stripes announced they were working on a new album; Icky Thump, which included the first-ever Stripes songs with bagpipes and mariachi horns, was recorded in three weeks at Nashville's Blackbird Studio and was released that summer.

Members include Jack White (born John Gillis in 1976 in Detroit, MI), guitar, piano, vocals; Meg White (born Megan Martha White c. 1974 in Grosse Pointe, Ml), drums, vocals; couple married on September 21, 1996; divorced, 2000.
Released debut album, The White Stripes, 1999; released second album, De Stijl, 2000; released third album, White Blood Cells, made European television and stage debut, 2001; performed on MTV Movie Awards, 2002.
Management—Monotone, Inc., 8932 Keith Ave., Los Angeles, CA 90069, phone: (310) 887-4485. Media—Chloe Walsh, Girlie Action Media and Marketing, e-mail: Website—The White Stripes Official Website:
The White Stripes, Sympathy for the Record Industry, 1999.
De Stijl, Sympathy for the Record Industry, 2000.
White Blood Cells, Sympathy for the Record Industry, 2001.
Elephant, V2, 2003.
Get Behind Me Satan, V2, 2005.
Icky Thump,  Third Man/Warner Bros., 2007.

Sources:; Bruce Walker


This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you.

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The Tragically Hip
The Tragically Hip promo
The Tragically Hip posing
The Tragically Hip

The massively popular Canadian band, The Tragically Hip, is Gordie Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass) and Johnny Fay (drums).

The band released its debut, self-titled album in the late 80s but it wasn’t until their second release Up to Here that they started receiving critical acclaim. The album included staple Hip tunes like “New Orleans is Sinking” and “Blow at High Dough”.

The band was embraced by their fellow Canucks for its steady rock riffs and ballads that predominantly featured Canadian themed lyrics - “Bobcaygeon”, “38 Years Old” and “Forty Mission Cap” to name a few.


Its 1993 release, Fully Completely, awarded them some US crossover attention, mainly in bordering states like Michigan and New York. The band started touring across the Midwest of America and secured a spotlight on popular comedy sketch programme, Saturday Night Live, in 1995.

Its sixth album, Phantom Power, produced hits in the form of Fireworks” and “Poets” and the Hip were booked for Woodstock 1999. The band also performed at the Salt Lake City Winter Olympic games in 2002.

Over the course of their nearly two decade long recording career, The Tragically Hip has built up an impressive array of accomplishments despite not having blatant, mainstream success. On the other hand, it’s reported that the band has never really sought that international attention.

While the band sells out arenas in their native Canada, other tours in America or Europe consist of smaller, intimate venues. Some of the accolades awarded to The Hip by the Canadian market include a star of the Canadian Walk of Fame, numerous Juno awards and an induction to the Canadian Music Hall of Fame. They also actively encourage bootleg recordings of their concerts.

The Tragically Hip’s mix of roots rock, unique lyrics and incredible live performances have earned them a devoted fan base across both rock and indie genres.

Members include: Bobby Baker, guitar; Gordon Downie, vocals; Johnny Fay, drums; Paul Langlois, guitar, vocals; and Gord Sinclair, bass, vocals.
Band formed in 1986 in Kingston, Ontario, Canada; released independently produced, self-titled EP debut, with initial distribution in the Kingston area only, 1987; EP distributed in the rest of Canada and the band signed to MCA Records, 1988; released first full-length album, Up to Here, 1989; dropped by MCA Records in the U.S., picked up by Atlantic Records, 1994.
Address: Record comparili—Atlantic Recording Corporation, 9229 Sunset Blvd., Los Angeles, CA 90069.

The Tragically Hip, MCA, 1987.
Up to Here, MCA, 1989.
Road Apples, MCA, 1991
Fully Completely, MCA, 1992.
Day for Night, MCA, 1994.
Trouble at the Henhouse, MCA, 1996.
Phantom Power, Universal, 1998.
Music @ Work, Universal, 2000.
In Violet Light, Universal, 2002.
In Between Evolution, Universal, 2004.
World Container, Universal, 2006.
We Are the Same, Universal, 2009.

Sources: Juanita Appleby; Joanna Rubiner

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The Band
The Band live
The Band  in the field
The Band playing
The Band Group picture

The Band was an influential Canadian-American rock and roll group of the 1960s and ’70s, formed in Toronto, Ontario, Canada. The Band included Robbie Robertson (guitar, piano), Richard Manuel (piano, harmonica, drums, saxophone, organ), Garth Hudson (organ, piano, clavinet, accordion, synthesizer, saxophone), Rick Danko (bass guitar, violin, trombone), and Levon Helm (drums, mandolin, guitar, bass guitar).

The members of The Band first worked together as The Hawks, the backing band of rockabilly singer Ronnie Hawkins from 1959 until 1963. Afterwards, Bob Dylan recruited the quintet for his history-making 1965/1966 world tour and they joined him on the informal recordings that became the acclaimed ‘Basement Tapes’.

Labelled “The Band” by their peers, the group left their communal home in Saugerties, NY to begin recording as a group unto themselves. The Band recorded two of the most important albums of the late 1960s: their 1968 debut ‘Music from Big Pink’ and 1969’s ‘The Band’. Throughout their career they would re-popularize traditional American musical forms during the psychedelic era. The Band dissolved in 1976, with Martin Scorcese’s landmark concert film “The Last Waltz” documented their final performance. They reformed in 1983 without founding guitarist and main songwriter Robbie Robertson.

The Band have since been inducted into the Canadian Music Hall of Fame and the Rock and Roll Hall of Fame.

Group included Rick Danko (born December 9,1943, in Simcoe, Ontario, Canada), bass and vocals; Levon Helm (born May 26,1942, in Marvell, Arkansas), drums, mandolin, and vocals; Garth Hudson (born August 2, c. 1943, in London, Ontario), organ and saxophone; Richard Manuel (born April 3,1945, in Stratford, Ontario; died of apparent suicide by hanging, March 6, 1986, in Winter Park, FL), piano and vocals; and Jaime (some sources say James) Robbie Robertson (born July 5,1944, in Toronto, Ontario) guitar and vocals.

Group formed as backing ensemble for singer Ronnie Hawkins; by 1963, had left Hawkins and become known as Levon and the Hawks, performing variously as the Crackers and the Canadian Squires; recorded with folk/blues singer John Hammond, Jr., New York City, 1964; supported Bob Dylan on tour, 1965-66, 1974; signed with Capitol Records, and released first album, Music From Big Pink, 1968; ended career with five-hour performance at the Winterland, San Francisco, Thanksgiving Day, 1976, excerpts of which, titled The Last Waltz, were later released as an album and film; regrouped to perform with Dylan at Absolutely Unofficial Bluejeans Bash honoring the inauguration of President Bill Clinton, 1993.

The Band's first album was appropriately titled Music From Big Pink. It included cover versions of three previously unreleased Dylan compositions, "I Shall Be Released," "This Wheel's on Fire," co-written with Danko, and "Tears of Rage" co-written with Manuel. Most of the other songs on the album were penned by Robertson or Manuel. According to the Rolling Stone Illustrated History of Rock and Roll, "[Music From Big Pink] was a revolutionary album in many ways: The emphasis was on ensemble work rather than on the soloing that had previously dominated rock; the melodies, few of them blues based, were delivered by an ensemble that was almost orchestral in scope, yet comprised of only five musicians; the lyrics were elusive, like Dylan's, but with a distinctive and compelling cast. Enigmatic? You bet." In addition to recording songs for their first album, the Band had also backed Dylan in the studio on some of his compositions, which were released in 1975 on the two-album set The Basement Tapes.


Music From Big Pink, 1968.

The Band (includes "The Night They Drove Old Dixie Down"), 1969.

Stage Fright, 1970. Cahoots, 1971.

Rock of Ages, 1972.

Moondog Matinee, 1973.

(With Bob Dylan) Before the Flood, Asylum, 1974.

(With Dylan) The Basement Tapes, Columbia, 1975.

Northern Lights-Southern Cross, 1975.

The Best of the Band, 1976.

Islands, 1977.

The Last Waltz, Warner Bros., 1978.

Anthology, 1978.

Jericho, Rhino, 1993.

Live at Watkins Glen, Capitol, 1995.

High on the Hog, Rhino, 1996.

Jubilation, River North Records, 1998.

Source: David Bianco 

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the Flamin' Groovies in line
the Flamin' Groovies black and white
the Flamin' Groovies promo
the Flamin' Groovies stairs

The Flamin' Groovies were an American rock music band of the 1960s and ’70s. They began in San Francisco in 1965, founded by Cyril Jordan and Roy A. Loney. The Flamin Groovies’ early recordings reveal a debt to The Lovin’ Spoonful. Their first album, 1969’s ‘Supersnazz’, was something of a mixed bag, containing as it did both re-creations of 1950s rock and roll and more melodic, and songs that anticipated the power pop movement of the 1970s, a genre to which The Flamin' Groovies would eventually contribute significant work.

Their second album, 1970’s ‘Flamingo’, was a considerably stronger effort and revealed a band with a sly sense of humor and a musical approach that continued to draw upon ’50s rock and roll as well as upon the work of The Beatles and The Rolling Stones.


In 1971 Roy Loney left The Flamin Groovies, and was replaced by singer and guitarist Chris Wilson, who, along with Jordan, began to move the group in a more overtly power-pop direction.

Between 1971 and 1976, very little was heard of the group except maybe their 1972 anti-drug song ‘Slow Death’. In 1976, they teamed up with British producer Dave Edmunds, and recorded an album entitled ‘Shake Some Action’. This LP and the following effort, ‘Now’, are good examples of their somewhat self-conscious attempt to revive the sound of the classic mid-’60s pop groups.

The Flamin Groovies continued in the same style until somewhere early in the 1980s.

Members include George Alexander (born on May 18, 1946, San Mateo, CA), bass; Ron Greco, drums; Cyril Jordan (born in 1948 in San Francisco, CA), guitar; Roy Loney (born on April 13, 1946, San Francisco, CA), guitar, vocals; Tim Lynch (born on July 18, 1946, San Francisco, CA), guitar; Danny Mihm, drums. Later incarnations include James Farrell, guitar; Terry Rae, drums; Mike Wilhelm, guitar; Chris Wilson, vocals, guitar; David Wright, drums. 

Group formed in San Francisco, CA, 1965; released eleven-inch EP Sneakers on Snazz label, 1969; signed to Epic, released first LP, Supersnazz, 1970; signed contract with Kama Sutra, relocated to New York; second LP Flamingo, 1970, followed by Teenage Head, 1971; released singles and a live EP; relocated to England, collaborated with musician/producer Dave Edmunds; Shake Some Action, recorded in 1972, released 1976; Still Shakin', a compilation of earlier recordings, released by Buddah, 1976; second Edmunds-produced LP, Now, released on Sire label, 1978; released Jumpin' in the Night, 1979; band effectively disbanded after 1979; released Bucket Full of Brains, which was recorded live in 1971, 1983.

In 1978 the Flamin' Groovies released the Edmundsproduced Now, comprising original material by Jordan and Wilson along with such covers as the Stones' "Blue Turns to Grey" and "Paint it Black" and the Beatles' "There's a Place." The following year the band released Jumpin' in the Night, produced by Jordan and Roger Becherian, which, in addition to Groovies originals, included covers by Warren Zevon, Roger McGuinn, Lennon/McCartney, David Crosby, and Bob Dylan.


Sneakers (EP), Snazz, 1968. 

Supersnazz, Epic, 1969. 

Flamingo, Kama Sutra, 1970.

Teenage Head, Kama Sutra, 1971; reissued, Buddha, 1999.

Still Shakin', Buddah, 1976.

Shake Some Action, Sire, 1976.

Now, Sire, 1978.

Jumpin' in the Night, Sire, 1979.

Bucketful of Brains, Voxx, 1983.

Flamin' Groovies '68 (live), Eva, 1983.

Flamin' Groovies '70 (live), Eva, 1983.

Slow Death-Live!, Lolita, 1983.

Super Grease, Skydog, 1984.

Live at the Whiskey A Go-Go '79, Lolita, 1985.

Roadhouse, Edsel, 1986.

One Night Stand, Aim, 1987.

Groove In, Revenge, 1988.

Groovies Greatest Grooves, Sire, 1989.

The Rockfield Sessions, AIM, 1990.

Sixteen Tunes, Skydog, 1991.

Step Up, Aim, 1991.

Oh How Groovy, Discurios, 1992.

A Collection of Rare Demos and Live Recordings, Marilyn, 1993.

Rock Juice, National, 1993.

Rockin' at the Roundhouse: Live, Mystery, 1993.

Flamin' Groovies, Polydor, 1994.

California Born and Bred, Norton, 1995.

Live 68/70, New Rose, 1995.

Live at the Festival of the Sun, Aim, 1995.

Groove In, New Rose, 1996.

Supersneakers, Sundazed, 1996.

In Person! (live), Norton, 1997.

Oldies but Groovies, Aim, 1997.

Grease: The Complete Skydog Singles Collection, Norton, 1998.

Yesterday's Numbers, Camden, 1998.

Absolutely the Best, Varese, 1999.

Backtracks, Renaissance, 1999.

Slow Death, Norton, 2002.

Sources: Carly Page; Kevin O'Sullivan

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you.

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Aerosmith Montage
Aerosmith Barefooted
Aerosmith Wings
Aerosmith Stage Pose

One of America’s most popular hard-rock acts and arguably one of the biggest bands of all time, Aerosmith formed in the New England area of Boston, Massachusetts in 1970. Lead vocalist, Steven Tyler (originally named Steven Tallarico) joined guitarist Joe Perry in a Cream-styled rock combo. Together with Tom Hamilton, Joey Kramer and Ray Tabano, the band’s original line-up was complete, however after a very short period of time, Brad Whitord replaced Tabano.

After their first gig at the Nipmuc Regional High School, the band took the name, Aerosmith (named after the book, “Arrow Smith by Sinclair Lewis). Their popularity grew, and a triumphant gig at Max’s Kansas City in 1973 led to a recording contract with Columbia Records.

That year, Aerosmith secured a minor chart placing with their self-titled debt album. Its attendant single, ‘Dream On’, peaked at number 59 (it became a top 10 hit in 1976). Jack Douglas proved to become a great asset to the band with producing the highly successful album, ‘Toys in the Attic’, which sold in excess of six million copies worldwide. Tyler’s remarkable physical resemblance to Mick Jagger, and his foil like relationship with guitarist Joe Perry, also inspired comparisons with The Rolling Stones.

In 1978, tension between Tyler and Perry proved to be irreconcilable. The guitarist left the band and founded the Joe Perry Project, who was replaced by Jimmy Crespo in 1980. The following year Brad Whitford left to persue a new musical career. Rick Dufay debuted on ‘Rock In a Hard Place’, but this set failed to capture the fire of the band’s classic recordings.

Contact between the remaining band members and Perry and Whitford was re-established during a 1984 tour. Antagonisms were set aside and the following year the quintet’s most enduring line-up was performing together again. Tyler and Perry rid themselves of their notorious drug and alcohol dependencies. In 1986 they accompanied Run-DMC on ‘Walk this Way’, an Aerosmith song from ‘Toys in the Attic’ and a former US top 10 entry. The collaboration, which reached number 4, rekindled interest in Aerosmith’s career and helped push rap music into the mainstream.

‘Permanent Vacation’ became one of their best selling albums, and the first to make an impression in the UK. The following year they achieved a US number 1 with the infamous ‘I Don’t Want To Miss A Thing’. The song stayed at the top for four weeks and provided the band with their first top 5 UK single.

Aerosmith’s latest album, ‘Honkin’ On Bobo’ is dedicated to the blues roots of their music and the music they all grew up listening to. Aerosmith have even had a rollercoaster dedicated to them called the Rockin’ Rollercoaster at MGM studios Disney World, Florida. 

Sources: Mathew Jones; Joan Goldsworthy

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The Rolling Stones
The Rolling Stones studio
Keith Richards
Ronny Woods

The Rolling Stones, often labeled as ‘the world’s greatest rock and roll band’, were formed as early as 1949 when guitarist Keith Richards and singer Mick Jagger, went to school together.  

Eleven years later the two crossed paths again. They found out about a local musician named Alexis Korner who held blues jams at the Ealing Club. After Jagger began to sing for Korner's Blues Incorporated, he decided to join a group that Richards was putting together. Other members included Ian Stewart (piano), Bill Wyman (bass), Charlie Watts (drums), and Brian Jones (guitar).

Manager Andrew Loog Oldham got them work at the Marquee Club in London, England, in 1963, billed as "Brian Jones and The Rollin' Stones". They soon became known as "the group parents love to hate." Oldham decided that pianist Stewart did not fit in and pushed him to the background.

Oldham got the Stones a contract with Decca Records, and in June 1963 they released their first single, a version of Chuck Berry'sCome On’ backed with ‘I Want to Be Loved’. Continuing their eight-month residence at the Crawdaddy Club in Richmond, England, they released their version of The Beatles'sI Wanna Be Your Man’ followed by Buddy Holly'sNot Fade Away’. Their fourth single, ‘It's All Over' climbed all the way to number one in their homeland. Their next hit, ‘Little Red Rooster’, also reached number one but was banned in the United States. 

The Rolling Stones already had two albums out in England by the time they broke the U.S. Top 10 with ‘The Last Time’, In the summer of 1965 they had a worldwide number one hit with ‘Satisfaction’. Allan Klein then took over as manager, and in 1966 the band released ‘Aftermath’, its first album of all original songs. In 1967 The Stones recorded ‘Their Satanic Majesties Request’, noted mainly for being the last album that Brian Jones, who had become heavily involved with drugs, truly worked on. After 1968's ‘Beggar's Banquet’, Jones quit the band, and was found dead one month later.

Two days later The Stones hired Mick Taylor, as Jones's replacement, and recorded their next album, ‘Let It Bleed’.

In 1971 The Stones formed their own label, Rolling Stones Records, and they began to experiment with different kinds of music. Their next two albums, ‘Goat's Head Soup’ and ‘It's Only Rock and Roll’, were viewed as so-so efforts. In 1975 Taylor decided to walk away from the band.

Guitarist Ron Wood fit The Stones perfectly, taking Taylor's place on a 1975 tour of America. The first full album he contributed to was ‘Black and Blue’ in 1976.

During the 1980s it was often rumored that The Rolling Stones would break up. Richards was not happy when Jagger took time off to work on his first solo album

Rumours of the band's breakup were put on hold in 1989, when The Stones announced plans for a new album and a world tour. ‘Steel Wheels’ sold millions of copies and a sell-out tour followed. Bill Wyman announced his retirement shortly after. With Darryl Jones replacing Wyman, The Stones next released ‘Voodoo Lounge’.

The band settled into the routine of producing a new album and going on tour every few years. In 2001 Jagger and Richard appeared at Paul McCartney's Concert for New York City to raise money for victims of the September 11 terrorist attacks on the United States. The Rolling Stones  contiue to tour.

Nucleus of band formed c. 1962 in London, England; performed as Brian Jones and the Rollin' Stones, 1962-63; original members included lead singer Mick Jagger (full name Michael Philip Jagger; born July 26,1943, in Dartford, Kent, England); guitarist Keith Richard (surname sometimes listed as Richards; born December 18,1943, in Dartford, Kent, England); guitarist Brian Jones (full name, Lewis Brian Hopkins-Jones; born February 28, 1942, in Cheltenham, Gloucestershire, England; left band June 9, 1969; drowned, July 3,1969); drummer Tony Chapman (left band c. 1962); bass player Dick Taylor (left band c. 1962); and pianist Ian Stewart (left band c. 1963).

Drummer Charlie Watts (full name Charles Robert Watts; born June 2,1941, in Islington, England) replaced Chapman c. 1962; bass guitarist Bill Wyman (name originally William Perks; born October 24, 1936 [officially listed as 1941]) replaced Dick Taylor c. 1962; guitarist Mick Taylor (born January 17,1948, in Herefordshire, England) replaced Jones, July 1969; left band, 1975; guitarist Ron Wood (born June 1, 1947, in London, England) replaced Taylor, 1975. Current members include Jagger, Richard, Watts, Wood, and Wyman.
Awards: Recipients of numerous individual and group awards.
Addresses: Record company—Rolling Stones Records, 75 Rockefeller Plaza, New York, NY 10019.
Sources: Carly Page; Calen D. Stone 

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AC/DC Whole Lotta Rosie
AC/DC Angus Young
AC/DC The World
AC/DC Through the Years
AC/DC Brian & Angus
AC/DC Angus & Brian
AC/DC Delinquents
AC/DC Highway to Hell
AC/DC Interviewed
AC/DC Slouch

AC/DC was formed in 1973 in Sydney, Australia by brothers Angus and Malcolm Young. The Young brothers quickly created a dynamic sound and developed a bold image. With Angus often wearing a school boy uniform on stage, he looked like he was more ready to pour over some middle school lesson plans instead of play lead guitar for a band. Yet the look complemented the band well and was a visual representation captured by a New York wedding photographer of the angst ridden youth that loved their music.The band have sold more than 200 million albums worldwide, and their 1980 album ‘Back In Black’ is the second-highest selling album of all time with 45 million copies sold to date, 22 million of which were bought in the US. MTV ranked AC/DC as the 7th “Greatest Heavy Metal Band of All Time” in 2004 and Rolling Stone magazine ranked the band 72nd in the list of “100 Greatest Artists of All Time”. In the same year, VH1’s list ranked AC/DC 4th on its list of "100 Greatest Artists of Hard Rock".

Between the band’s formation and the release of their first album, ‘High Voltage’, in 1975, AC/DC went through several line-up alterations, with original singer Dave Evans replaced by Bon Scott and a multitude of different bassists and drummers passing through. The band then remained unchanged until 1977, when bassist Mark Evans was replaced by Cliff Williams, apparently due to conflict with Angus Young. Evans is quoted as saying at the time: “Both me and the band are better for it”. The seven-times-platinum album ‘Highway to Hell’ was recorded in 1979. A year later, singer Bon Scott died after a heavy drinking session at the Music Machine club in London. Brian Johnson was brought in to replace Scott, and the band completed their next album, ‘Back In Black’, using Johnson’s vocals. 

AC/DC next release, ‘For Those About to Rock We Salute You’, became a huge success, reaching top spot on the US charts. Drummer Phil Rudd was fired in 1983 after a fight with Angus Young, and the band’s popularity began to decline. Ex-Dio drummer Simon Wright filled the vacant drummer’s stool until he was replaced by Chris Slade in 1989. Phil Rudd returned in 1994 and contributed for the release of ‘Ballbreaker’ in 1995. With the early 80s line up back together, their popularity grew once again.


They released 'Stiff Upper Lip' in 2000 and it was produced by Angus and Malcolm's brother George. The album was a commercial success and after a world wide tour, they got their rewards as they signed a long term, multi album deal with Sony in 2002. A year later they were inducted in the Rock N' Roll Hall of Fame.

Their latest studio album, ‘Black Ice’, was released in October 2008. 'Black Ice' featured the singles 'Rock N Roll Train', 'Big Jack', 'Anything Goes' and 'Money Made'. At the beginning of 2010, it was announced that AC/DC would be releasing a compilation album featuring their greatest hits for the film Iron Man 2. They headlined Download Festival in June 2010 and incredibly performed on their own stage which was only to be used by them and no one else. If thats not rock n roll, I don't know what is.

Source: Joan Goldsworthy

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you.

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Thunder band
Thunder promo
Thunder live

Once described (by themselves) as being the biggest rock 'n' roll band you've never heard of, Thunder are one of the great British rock acts (they sound like a cross between Led Zeppelin, Deep Purple, The Rolling Stones and Bad Company - it's true). Having toured the world extensively since 1989, and released a huge body of records (both studio and live), they've notched up 18 top 40 UK hits. How? Not with massive Radio and TV support, no far from it, their success has been down to a combination of their reputation as a phenomenal live act, and the fanatical support of their ever growing fanbase.

Thunder have toured with acts such as Aerosmith, Bon Jovi, Van Halen, Whitesnake, Status Quo, Deep Purple, Bryan Adams, ZZ Top, Metallica, the list goes on. They've won awards galore, including best Rock Vocalist (Danny Bowes - Burrn magazine Japan) and Best Live Rock Act by readers of Kerrang magazine UK.

Thunder formed in 1989, and released their debut album "Backstreet Symphony" in 1990, which went Gold. The follow-up "Laughing on Judgement Day" (which also achieved gold status), peaked at No. 2 in the UK album charts. Their legendary appearance in 1990 at Monsters of Rock at Donington cemented their place in the hearts of British rock fans. Twenty years later, after twenty top-50 singles and 9 studio albums Thunder have announced their retirement !!


Backstreet Symphony, EMI, Geffen Records, 1990.
Laughing On Judgement Day, EMI, Geffen Records, 1992.
Behind Closed Doors, EMI, 1995.
The Thrill Of It All, B Lucky Records, 1997.
Giving the Game Away, 1999.
Shooting At The Sun, STC Recordings/Frontiers Records, 2003.
The Magnificent Seventh, STC Recordings, 2005.
Robert Johnson's Tombstone, STC Recordings, 2006.
Bang!, STC Recordings, 2008.

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you.

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The Doors and Jim Morrison
The Doors
Jim Morrison
Jim Morrison and The Doors
The Doors

Rock sensation The Doors were established in 1965 in Los Angeles, California. The original line-up consisted of Jim Morrison (vocals), Ray Manzarek (keyboard), John Densmore (drums) and Robby Krieger (guitar).

The band released their eponymous debut album in 1967. The album featured the 11 minute musical opus ‘The End’ which was famously used in Francis Ford Coppola’s movie ‘Apocalypse Now’. The first single release from the album was ‘Break On Through (To The Other Side)’. The album also features the full seven minute version of ‘Light My Fire’, which reached Number One in the US charts. Deemed too long for radio play, stations played a heavily-edited three minute version, much to the band’s disapproval. The song has been covered by artists such as Shirley Bassey, José Feliciano and Massive Attack.


Jim Morrison captured the public's imagination through his unpredictable stage performances and cryptic lyrics. He passed away in Paris on 3rd July 1971. Many theories surround his death – some say he died over a heroin overdose, whilst others maintain he had a respiratory disease, causing him to choke to death on his own blood. Morrison fans of all ages gather to pay tribute at his grave in the Père Lachaise cemetery in Paris. After his demise The Doors continued as a three-piece but parted in 1973, arguably exhausting the thought of the band continuing without their flamboyant frontman.

The band have sold more than 32 million albums in the United States alone. They are ranked #41 in the list of 100 Greatest Artists of All Time conducted by Rolling Stone Magazine. Likewise, the VH1’s 100 Greatest Hard Rock Artists poll put the band at #32 and band’s biggest hit ‘Light My Fire’ came in at #7 in VH1’s Greatest Rock Songs.

Members included James Douglas (Jim) Morrison, born Dec. 8, 1943, in Melbourne, Fla., died July 3, 1971, in Paris, France; Education: attended UCLA, c. 1965. Robert Krieger, born Jan. 8, 1946, in Los Angeles, Calif. Raymond Manzarek, born Feb. 12, 1943, in Chicago, 111.; Education: attended UCLA, c. 1965. John Densmore, born Dec. 1, 1945, in Los Angeles, Calif.

The Doors formed group, 1965; began appearing on the Sunset Strip, Los Angeles, Calif., 1965-66; signed by Elektra Records, 1966; released first album The Doors, 1967 (hit single "Light My Fire" became a Number 1 hit); released several subsequent gold and platinum albums and singles, 1967-71; Morrison died of heart attack, 1971; the group disbanded, 1973.

Sources: David Collins

This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you.

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